Sunday, November 24, 2013

It's a Clean Machine

Over the past week I finally managed to organize my home office, setting up a nice place for Sarah and I to focus on our various creative projects. One of the most daunting tasks was filing away all the various master tapes and discs for video projects I have worked on... a little background music helped.

I decided to stream Paul McCartney's latest album, New. The Beatles have always been an inspiration for me, but their solo projects are usually no match for the brilliance of their fab foursome days. This time out, Sir Paul has a surprisingly fresh offering... check out his latest single, "Queenie Eye," which has been getting a lot of airplay on WEXT


Pretty impressive, I'd say, for a guy who has been at it for over 50 years! Naturally, he was helped by several talented producers, including Mark Ronson (whose Version is one of my favorite albums). I have come to realize that a good music producer makes all the difference... I would go so far to say that the Beatles might not have been as good without the help of George Martin (Let It Be, their only studio album not produced by Martin, was marred by too much of Phil Spector's "Wall of Sound" overdubbing, in my opinion).


J Walking outside the famed Abbey Road Studios, London.
April 1997. Photo ©Jeremy Clowe
Another treat for fans is the recent release of On Air— Live at the BBC, Volume 2, which features 63 previously unreleased tracks from the Beatles' 1963-1964 BBC Radio broadcasts. I've had a quick listen on iTunes, and it sounds even better than its 1994 predecessor (Live at the BBC). There are plenty of covers, including Motown and Chuck Berry, and some energetic performances of early Beatles songs I have always loved ("MIsery," "You Can't Do That"). Still sounding fresh, and a reminder of the elements that first made me a fan at the age of ten.

As I continue organizing our place, I'm finding other reminders of my Beatles love, including a box full of photos from my first trip to Great Britain back in the late 90s (reproduced here on this blog entry). It was a dream for this Anglophile, and of course I had to make a pilgrimage to London's Abbey Road to recreate the famous "walk" pictured on the band's 1969 album of the same name (with thanks to my patient aunt for photos). I even poked my head inside of Abbey Road Studio to inquire about what was happening...  


London calling... c. April 1997. ©Jeremy Clowe.
Apparently there is no shortage of Beatles-related projects in the pipeline, including a "top secret" project from the BBC, and a movie based on author Lars Saabye Christiansen's bestselling 1984 novel, Beatles. The film sounds especially promising, as it has the rare opportunity to use the group's original recordings, and will be scored by A-ha's Magne Furuholmen. A-ha have noted on many occasions how influenced they were by the Beatles, and knowing my love for both groups I'm particularly excited! During a recent live Q&A on Facebook, I asked Magne if there was any chance he and the other members of A-ha would reform to provide a Beatles cover version or two for the film: it "would be a dream (and worked so well on '#9 Dream!')". His reply: "a dream within a dream... don't go all 'Inception' on my ass here!"


Jermyn (pronounced "Jeremy")
Street, London, April 97.
Photo by MB. ©Jeremy Clowe.
Well, this dreamy state of vacation is starting to wear off... I better sign off and try to get some more things done, while I have the time (yeah, yeah, yeah).

Related Links:

www.thebeatles.com

www.paulmccartney.com

"Magne to score 'Beatles' movie," A-ha-live.com, April 22, 2013

"'Kon-Tiki' Directors Score Original Beatles Songs For Upcoming Film," Deadline.com, March 20, 2013

"Beatles' 'Live at the BBC' Unlikely to Expand, But 'Top Secret' Project in The Works," Billboard, November 12, 2013


Sunday, November 17, 2013

Musical Break

It's been a busy couple of weeks: handling press and the completion of a new exhibition video for the Museum has filled most of my time lately, but more on that later... right now I'm looking forward to a week's vacation.

Here comes the sunnier days for musician Diego Garcia...
but it's alright. Photo by Jeremy Clowe. 
It kicked off in grand style this past Friday, as we attended a concert by Diego Garcia in downtown Albany, courtesy of our friends at radio station, WEXT. For the uninitiated, Garcia is an Argentine-American musician whose work we like quite a bit (we even chose his cover of the Kinks' "Strange Effect" as our first dance); his album Laura (inspired by the separation from his girlfriend, now wife) was one of my favorites from last year, and he has just released his second, entitled Paradise. The overall mood is a bit lighter on this sophomore release, which had me concerned, as I tend to be attracted to the grayer shades of contemporary music (as Sarah is quick to point out). No worries though: as we heard during his lively concert, there is plenty more strong material to be enjoyed this time around (and we continue to love Zeke Zima's passionate Spanish guitar playing).


A week before, we were treated to another special concert by WEXT, going to see Fitz and the Tantrums with fellow Los Angelelians, Capital Cities. This was our forth time seeing Fitz and his band perform (their neo-soul album, Picking Up The Pieces was another one of my recent favorites). Like Garcia, I was a little worried that their latest album, More Than Just a Dream, was going to stray too far from the more thoughtful tone of its predecessor (same story: musician writes fantastic album inspired by the loss of his then-girlfriend). No problem. There is still good material (especially the first six songs), and the band seems more confident than ever onstage. 


I miss hearing more of Fitz's classic soul vibe on More Than Just a Dream, but their sound has embraced even more of a new wave style, which has its interesting moments. And talk about flashback... I think their opening act, Capital Cities, would have no problem fitting in back in 1982... talk about your synthpop dance party! It was good fun, and also nice to recognize a couple of their songs, "Safe and Sound" and "Kangaroo Court," which I had already been enjoying on the radio.


What else have I been listening to lately... well, I really dig what I have heard of Arcade Fire's double-album, Reflektor. The band certainly has been consistent in quality over the years, and the "retro" electro sound again has to be pointed out... sort of dark, new wave mashed up with Haitian rhythms, which I can't complain about. I was also delighted to learn that David Bowie sings backup on the title song: each time I listen, I find myself excitedly waiting for his lines... about halfway through.



Since we are talking about the blurred line of past/future rock and roll, I should point out the recent passing of musician Lou Reed. I have admired some of his higher profile songs ("Perfect Day," "Sweet Jane," "Walk on the Wild Side"), but must admit to knowing little of the larger body of his work, solo or with the Velvet Underground... it seems I should, as he pretty much paved the way for Bowie and many of the indie, alternative rockers I listen to today. I do recall, months before his death, being surprised at how "modern" the Velvets' song "Rock & Roll" sounded when it came on the radio.



Ok, writing this blog has started to feel like the work I'm trying to take a break from, so time to for me to tune in (music, music) and drop out. Enjoy the sound samples, and I'll write more soon.
"Just a reflektor..." Photo courtesy David Bowie (Official) Facebook. All rights reserved.
Related Links:






exit977.org

"Lou Reed, 1942-2003," Rolling Stone, November 6, 2013