The Best Medicine?

What a difference a week makes. Last Monday morning who could have predicted the events that would transpire in the days ahead? The Boston Marathon bombing... Senate vote on gun control... the Texas fertilizer plant explosion... oy. Hard to find much to laugh about, yet last week also marked my return to performing with the Royal Berkshire Improv Troupe, and we had our first rehearsal on the same day we all learned about the bombing.

The Berkshires are not that far from Boston, and over the last ten years I have made frequent trips to Beantown... I have some truly fond memories, both personal and professional, and would certainly count it as one of my favorite cities. So it was unnerving to learn about this attack on a city with such charm and history, during a public event that has come to symbolize such good will.



As an event, the Marathon is also about endurance and triumphing over adversity. Keeping this theme in mind, the city of Boston certainly honored the victims of this tragedy. Last Friday was surreal, as I drove to work and heard news about the manhunt for the bombing suspects and subsequent lockdown of the area. All day long we were glued to the internet or TV trying to keep up on the latest of this very tense ordeal...

Photo courtesy and © Spectrum Playhouse. All rights reserved.

So as the evening rolled around, it was something of a release to join my improv comrades for our show at Lee's Spectrum Playhouse. It's odd... I remember starting RBIT over twelve years ago, right after September 11th, and there was something similarly poignant back then about being able to soldier on in the midst of darkened skies...


I haven't been to a RBIT rehearsal or gig in a few months, and there were a few changes. First, our friend and co-founder Frank La Frazia has moved to Brooklyn to further pursue his career. This meant filling the leadership role which he had provided for most of the last decade. I decided to step up and host the show, which was a new experience... not something I have done too often in this context, but it felt good. We had a meeting this past weekend to talk about the future of the group and it seems there is a desire to keep moving forward.

Waving goodbye to our friend Frank. Photo courtesy and
©Spectrum Playhouse. All rights reserved.

At this point, if I am to remain active with the group, I need to be able to take it to the next level as a performer. I have been checking out some performances recently with Schenectady's resident improv group, The Mop & Bucket Company— these guys certainly know their stuff... dipping into long-form improv, and benefitting from a fairly seamless presentation of their performances. 


My fellow improv buddy Paul and I decided to take one of their open drop-in classes, and it was nice to get some outside feedback on how to strengthen our improvisational skills. The best piece of advice: jump into scenes without knowing what you're going to do. I tend to want to come up with the most clever lines, but that's not what this is about... it's more about being instinctual and truthful, which I understand... it is challenging, but most definitely funny seeing actors react in the moment and try to figure it all out.

Courtesy and ©Spectrum Playhouse.
All rights reserved.

So in the midst of all this uncertainty, our Friday show went great. It felt a bit more spontaneous, while still having the benefit of good rehearsal to support an underlying structure. I think I could actually keep at this for a little while, as long as the rest of the group stays committed... they seem to be. And so we move on... until the next big challenge... unavoidable, but not necessarily insurmountable. 

Post-show, as we celebrated at a nearby pub, news came over one of the TV screens that the second bombing suspect had finally been caught. It was pretty wild how in this new technological age things had been "resolved" so quickly... of course I feel for the friends and families of the victims, who are left with the task of finding some kind of peace...

Related Link:

www.berkshireimprov.com

Catch Me I'm Falling...

Today I can feel the weather finally starting the change (thank God). Signs of crocuses and snow drop flowers blooming... I was even able to ditch my jacket.

Although cooler this past weekend, Sarah and I managed to get outdoors for a hike with her parents on Saturday afternoon, along one of our favorite nature preserves in the Capital Region. I already blogged last June about the Christman Sanctuary, which contains a couple of really stunning waterfalls. Well I think now is really the time for us to get cracking on our waterfall search, because things are thawing and the water is falling! Here are some photos I took with my new Canon EOS Rebel T3:

Interesting to see the changes with a longer exposure:

For those who attended our wedding, this waterfall might look familiar 

(we used a photo of it on our invitations).

Fairest of Them All

Switching gears from performing to interviewing, over the past couple of weeks I have had the pleasure of getting to know acclaimed dancer/choreographer Marge Champion. In the 1940s and 50s, she teamed up with her then-husband Gower Champion to become quite an successful dance team, performing on Broadway, TV, and such MGM musicals as Showboat and Lovely To Look At (here's a beautiful routine from the latter film):



One of Ms. Champion's other big claims to fame was serving as the live action model for Walt Disney's first feature-length animated film, Snow White and The Seven Dwarfs. "Uncle Walt" and the other Disney animators filmed her movements as a reference, which they later used to bring Snow White to life. Only a teenager at the time, it was Champion's first big break: every scene you see of the character in the 1937 film was actually based on her movements, many of which were improvised.

Reference photos of Marge Champion, who at the age of 14, began
serving as a live reference model for Walt Disney's "Snow White and The
Seven Dwarfs." Photos courtesy Marge Champion. ©Disney.

Dancer Marge Champion in New York.
Photo by Jeremy Clowe for Norman Rockwell
Museum. ©Norman Rockwell Museum. All rights reserved.

This summer Norman Rockwell Museum is hosting the traveling exhibition, Snow White and the Seven Dwarfs: The Creation of a Classic, which celebrates the 75th anniversary of this classic 1937 film that is beloved by viewers of all ages. Organized by The Walt Disney Family Museum, the exhibition explores the development of the animated masterpiece− from conceptual drawings and character studies, to watercolor backgrounds and colorful cels that brought Disney's ambitious project to life. 

As you can imagine, Marge Champion has considerable insight into the creation of the film, and I had the exciting opportunity to visit with her at her homes in New York City and the Berkshires (she has a part-time residence in Stockbridge, Massachusetts, where our Museum is located) to conduct a videotaped interview and learn more. She had plenty of interesting stories to tell, including the fact that she went on provide model reference for Disney's Pinocchio (the Blue Fairy) and Fantasia (some key insight and ideas for the dancing hippos). She was even married for a short time to Art Babbitt, one of Disney's early animators (credited with the creation of Goofy). I have to thank my friends at CTSB-TV, who allowed me to use their Sony AVCHD camera to conduct the interview− the recording looked great, and I look forward to sharing the material in the coming months to help promote the exhibition.

Jeremy meets Snow White (Marge Champion).
Photo ©Jeremy Clowe. All rights reserved.

Of course I also asked her about her career in dance and connection with the Berkshires− she served for a long time as a board member of Jacob's Pillow, the dance festival that initially attracted me to the area. I think the most inspiring thing about Ms. Champion is that she is 93, but you would never believe it. She's mentally sharp and in great shape, reinforcing the idea that keeping your mind and body active over the years has its benefits.

The Museum will be honoring Champion as the guest of honor at a special opening gala for the exhibition on the evening of Saturday, June 8. I look forward to meeting her again at that time, and maybe learning a few new dance steps. I also look forward to seeing the art in the exhibition− my father was a big Walt Disney fan (he even got the animator's autograph back in the day), so here's another opportunity I'm sure he would be amazed to learn I was involved with.



Related Links: 

"The Real-Life Snow White," CBS News, October 13, 2009

"Snow White: Marge Champion, a Model Princess," Animated Views, October 7, 2009

Sense and Sensibility

Pre-show... getting that ascot just right!
Photo ©Jeremy Clowe. All rights reserved.

March madness turns into April Fools... surely it's the time of year for absurdity! For me, it's time to catch my breath after finishing up Woman in Mind at Schenectady Civic Players last week. We had a good run and I learned a lot... about perfecting comedic timing, dealing with varying audiences, and working as part of an ensemble. 

The cast was great. We had some very talented people on board, including Victor Kahn who played Dr. Bill Windsor, the physician attending to Susan (the wonderful Amy Lane) for much of the play. During one of our pre-show conversations, Victor told me that Alan Ayckbourn, who wrote the play, doesn't find his work performed much in the States. The more we worked on the show, I realized that Sir Ayckbourn's British "sense and sensibility" might indeed prove a challenge for many American audiences to grasp, at least in seeing much of the inherent humor in the text. There were nights we had near deadly silence, and others where the audiences reacted more vocally to the dry, dark comedy (having a fondness for British literature and music since I was a kid, I may have been the exception to this particular kind of taste).

In terms of my own performance, I tried to straddle the line, adjusting my tone and delivery as I felt it needed to be... playing slightly more broad or intense as I felt the evening justified. I think I also learned that with a play like this, you need to play it fairly brisk. 

One night in particular during our second week I felt like we really nailed it−the show was sailing along, and I really found myself amused backstage as I listened to my fellow actors do their thing− interesting to note that that night was a fairly quiet audience... at least until the second half. 

Master of ceremonies... getting ready for the big finale of "Woman in Mind"
at Schenectady Civic Players. Photo ©Jeremy Clowe. All rights reserved.

To sum it up: Woman in Mind was a complex show to perform, and I think we all learned quite a bit from working on it. Again, I tip my hat to Schenectady Civic Players for being brave and talented enough to pull it off. Our final show on March 24 was met with a very receptive audience which was nice, which made it feel like all the hard work did not go unnoticed. Immediately after that show, we went about striking the set and enjoying a cast party... a night of mixed emotions, of course.

Things have showed down a bit this past week, as I get used to not being "famous" anymore... ha ha. Actually, I have had time to reconnect with Sarah and visit with our families during this past week of Passover and Easter... and rest... let's not discount that.

But it looks like it's time to ramp up once again... a few new projects in the works this week, as well as some offers that came my way during the run of the show... so we'll see what happens next.

Cast of Schenectady Civic Players' "Woman in Mind," March 2013. Left to right: 
Alysson Kelly, Joan Justice, John Nickles, Jeremy Clowe, Amy Lane, Marty O'Connor, 
Ben McCauley, and Victor Kahn. Photo courtesy David Goldfarb. ©Jeremy Clowe. All rights reserved.