From viewing beautiful photos of women and their children
voting, and paying respects to suffragette pioneer Susan B. Anthony in my
hometown (Anthony might have been proud to learn that Hillary Clinton won the
popular vote); to learning about racist graffiti sprawled across public
property, just miles away, following the election.
The divide in America seems greater than many of us thought,
yet I’m not entirely surprised.
As someone who campaigned hard for Bernie Sanders, I
sympathize with the struggle of the working class (hell, you could say that I am
part of that class). I understand that in addition to fighting for equality, we
need to work to improve the standard of living for all Americans.
Unfortunately, many people have felt left out of the conversation, and perhaps
voted to send a message. I just hope those voters took time to consider the
more troubling aspects of this past election, and what might lie on the horizon.
During the election season, I found perspective in an unexpected source. Last
spring I started gathering materials again for the Google Arts & Culture, centered
around the theme of American Democracy. Trying to come up with a suitable
online exhibition for Norman Rockwell Museum seemed a no-brainer for me, as we
were just preparing to open an exhibition at our Western Massachusetts site on the art of Thomas Nast.
The 19th century political cartoonist was known for his great
influence in affecting the outcome of presidential elections, and his biting
commentary shined a light on issues that remain important to this day—from
political corruption to imperialism, inflation, and civil rights (his political
cartooning career began right alongside the presidency of Abraham Lincoln).
My work on the Nast online exhibit was primarily an exercise
in graphic design and layout (I did not create the text or, unfortunately, even
the video attached), but I also
appreciated the increased knowledge it provided me, to better understand the
events that shaped our national identity and politics (how fascinating that the
platforms of the Republican and Democratic parties were essentially flipped
over the course of a century).
Google was generous enough to allow me to create two online
exhibitions for their American Democracy forum. The second idea I had was to repurpose
materials from the Museum’s 2008 exhibition, Norman Rockwell: Illustrator in Chief. That show, which we
presented during another historic election year, looked at the many portraits
that Norman Rockwell created of presidential candidates during his lifetime.
Working at the Museum for over a decade, I was already aware
of the great number of presidential portraits that Rockwell created—from
President Dwight D. Eisenhower to John F. Kennedy to Lyndon B. Johnson to
Richard Nixon. We have a great number of reference and candid photos of
Rockwell with these presidents, and I included them in this new online
exhibition titled Norman Rockwell:Presidential Elections Illustrated (also included: old video clips I conducted
with my friend and the Museum's former archivist, Corry Kanzenberg).
Photo of Norman Rockwell, looking a little weary after illustrating the election of 1968. Photo by Louie Lamone. Norman Rockwell Museum Collection. ©Norman Rockwell Family Agency. |
I had been hearing a lot about 1968 during this year’s
presidential election. They say it was a year that really heightened the divide
between Democrats and Republicans. The dissatisfaction that many voters were
expressing during this year’s primaries, and surprising rhetoric espoused by
Donald Trump, made me curious to learn more.
my "light" summer read |
What I read surprised me. President Johnson’s Great Society,
which sought to eliminate poverty and racial injustice, seemed a noble and
humane plan, but many Americans felt we were moving too fast on these
platforms, and that their own concerns were being left behind (sound familiar?).
Growing up in the Reagan era, I never would have imagined that the south once
identified more closely with the Democratic Party. Cohen’s book explained the
“southern strategy,” which Nixon utilized that year, preying on some of the
fears that white voters had in that region of the country. Nixon preached “law
and order,” and his TV commercials
further tapped into those fears and uncertainty. Again, many parallels to 2016.
Beyond that, I learned about such divisive figures as George
Wallace, who did nothing to hide his racism while running as a president during
both the 1968 ad 1964 elections; what is interesting to learn is that he ran as
a Democrat during the 1964 election (and 72 and 76, for that matter!).
Barry Goldwater also ran in 1964. He was another polarizing
figure, who planted the seed for a new conservatism, which eventually won out
in the 1980 election of Ronald Reagan. But in the early 60s, it appeared that
liberalism was favored by most Americans.
Lyndon Johnson is really a tragic figure. He could have been
a “great" president. The book explains how his unyielding support of the Vietnam War was really his undoing. As
today, many liberals opposed tough military intervention in regards to foreign affairs, and
you saw figures like Eugene McCarthy and Robert Kennedy voice opposition and
eventually enter the election as candidates.
"A More Perfect Union" exhibit, Tang Museum. Photo: Jeremy Clowe |
On the other side were
Republican candidates like Nelson Rockefeller and George Romney, who the book
called “moderate Republicans.” Again, having grown up in a much more
conservative era, I was surprised to learn about Republicans who favored some
form of government assistance on social issues (are they, essentially, modern
Democrats?). I guess you would include President Eisenhower in this camp, who
warned, among other things, about the growing military industrial complex.
Artist Steve Brodner illustrated both the Democratic and Republican convetions this year. This particular cartoon haunted me. Courtesy and ©Steve Brodner. All rights reserved. |
Talking Four Freedoms with scholar Harvey J. Kaye. |
Looking for unity."A More Perfect Union" exhibit, Tang Museum. Photo: Jeremy Clowe |
That being said, I remain committed
to fighting back against discrimination. We have come too far as a nation to go
backwards (similar resistance, in fact, happened following both Reconstruction and the civil rights era of the 1960s). My plan is to remain vigilant; continue this pledge of solidarity through peaceful demonstration
and thoughtful discourse.
On that note, it’s funny how suddenly
everyone wants to know what Bernie Sanders thinks; this quote, given during a
speech he gave here in the Capital Region this summer, says it all:
“Never lose your sense of
outrage… democracy is not a spectator sport… and when we stand together, we can
transform this country.”
Explore: Google Arts & Culture online exhibitions - Norman Rockwell Museum
Interview: "Norman Rockwell Museum in Stockbridge partners with Google to share presidential portraits, artifacts," Springfield Republican, July 20, 2016
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