Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Thursday, December 29, 2016

The Kids Are Alright

2016? With the exception of my family, friends, and Bernie(!), it was a frequently trying year. What else do you say about a year where Gen X-ers like myself lost such cultural icons as Bowie, Prince, Mohammad Ali, George Michael, and Carrie Fisher, and can look forward to being Trump-ed in the new year? Makes you want to turn the lights out and pull the covers up for a looong nap.

Photo: Jeremy Clowe
There were, however, a couple projects that I was involved with this year that raised my spirits. They involved the next generation - Millennials and Generation Z, if you will.

Last February I spent some time working from home in New York's Capital Region, and decided to document a group of local high school students who were busy preparing work for an exhibition reinterpreting President Franklin Delano Roosevelt's Four Freedoms (which celebrated its 75th anniversary this year). The show was to be presented at Norman Rockwell Museum, where we own and display Norman Rockwell's original 1943 paintings that famously interpret Roosevelt's speech. It sounded like an interesting project, and I was curious to see what freedom meant to young people in the 21st Century.

"Freedom of Speech," one of FDR's original ideals, was perhaps the most popular, and was interpreted in some interesting ways--as a form of protest; in being able to express yourself through dress, music, or the visual arts; and speaking up for your rights as a young person. The other freedoms (want, religion, and fear) were less frequently illustrated, with these studio art students deciding to expand on the original concept.

Not surprisingly, one of the biggest concerns was privacy--in this day of social media and smart phones, young people had mixed feelings about the freedom to share information, but also the need for it to stay protected. Others addressed the idea of equality for people of all genders, races, and sexual identities. I enjoyed working with and finding the common threads between the three schools that I visited, and telling the students' story; several were looking at issues that seemed far beyond the typical high school concerns. The students pleasantly surprised me with their generally polite and thoughtful nature.


From there, I helped the Museum cover a number of other interesting education initiatives during 2016. One of the most unique was a group of students we had been working with from Edward A. Reynolds High School in New York City, who learned that Norman Rockwell was born just a few blocks from their school (206 West 103rd Street). After learning more about the artist and how he illustrated humanitarian themes right through and including the civil rights era, they decided to form a committee to see about renaming the corner near Rockwell's birthplace (West 103rd and Broadway) in the artist's name. On Election Day, November 4, 2014, the students canvassed voters at their school, a polling location, and picked up 300 signatures in favor of the idea.

Civics - the Norman Rockwell way.
With support from the Museum, the effort became a useful lesson in civics for the students, involving them directly in the political process. In February 2016, New York's City Council voted to officially rename the corner, and a special signing ceremony, officiated by Mayor Bill de Blasio, was held at New York's City Hall on February 25-- I was on hand to film the occasion, as well as the official unveiling of "Norman Rockwell Place," which took place on June 9, with City dignitaries, Museum officials, Rockwell family members, and fans in attendance. It was a meaningful day, and I was again impressed by the perspective and determination of these young people.

This past June we held our annual gala, which celebrated our education efforts. Former First Lady Laura Bush, who was an educator, was on hand, as well as children's book illustrator Jerry Pinkney, who was honored as our new Artist Laureate (I had previously interviewed and created a video for our 2009 exhibition of Pinkney's work). The night of the gala we also premiered a video I created to highlight several of our education initiatives, including the Four Freedoms and New York City student efforts. Again, I found it be an involved project, sorting through tons of footage to find the through line to tell an effective story. However, all the work paid off and the video was quite well-received, helping us raise considerable new funds to continue our education efforts.


As I mentioned, it was a trying year... easy to get discouraged... but thinking back about these projects and talented teens I met along the way, I continue to find hope for the future. 




Thursday, November 24, 2016

Giving Thanks



Thursday, August 8, 2013

Made in America

Norman Rockwell Museum video interview with illustrator Wendell Minor.
Photo by Jeremy Clowe for Norman Rockwell Museum. All rights reserved.
Yesterday I spent the afternoon starting work on a new video project: a short documentary for our upcoming exhibition on illustrator Wendell Minor. Known for his many acclaimed children's books, Minor's art touches on his love of history and the environment. Wendell Minor's America will showcase original artworks, artifacts, and references from such picture books as Look to the Stars (by astronaut Buzz Aldrin); Abraham Lincoln Comes Home; and America the Beautiful. 


Wendell Minor's studio. Photo by Jeremy Clowe
for Norman Rockwell Museum. All rights reserved.

Along with Norman Rockwell Museum's Chief Curator Stephanie Plunkett, I traveled to Minor's home in Washington, Connecticut, to conduct the interview. I was lucky to once again borrow a Sony NXCAM HXR-NX5U to do the filming. We set up the interview in Minor's studio, which he shares with his wife/collaborator Florence, and it went well. The artist has a decent amount of light coming through the window near his workspace, which hopefully served us well. I used a reflector to warm up some of the background.

During our visit, I found myself appreciating the Minors' decorative sense− sort of a mix between Southwestern and Eastern U.S. This was actually my second visit to the couple's home− the first was back in 2004 when I interviewed Wendell Minor at length for my documentary Drawing Inspiration: Norman Rockwell in Stockbridge (Rockwell was a strong influence on the artist).

Wendell Minor's America opens November 9 at Norman Rockwell Museum. I'll have more details on the exhibition and video in the coming months. In the meantime, here is a promo video that the artist put together for the exhibition, which gives you an idea of his work: 



Related Link:

Wendell Minor's website

Friday, May 31, 2013

Every Picture Tells a Story...

L to R: Norman Rockwell models Ed Locke ("The Runaway"),
Mary Whalen Leonard ("Girl at Mirror"), and Wray Gunn
("New Kids in the Neighborhood"). Photo by Jeremy Clowe
for Norman Rockwell Museum. All rights reserved.
The June issue of Berkshire Magazine came out last week, and features a nice article about Norman Rockwell's models ("Worth a Thousand Words"), written by my friend/journalist Nichole Dupont. I was interviewed at length for the article, which ties in to the upcoming Models Reunion we are holding at Norman Rockwell Museum on Saturday, July 6, 2013. Once again, the Museum will attempt to gather as many living reference models who worked for the artist as possible... and considering their advancing ages, there's no time like the present!

Since starting at the Museum in 2001, I have initiated videotaped oral histories with the models, which has been one of the more enjoyable parts of my job, and useful in terms of learning more about the artist's process. The seed was really planted during the first models reunion I helped out with back in the summer of 2001. As I mention in the article, "I set up a little corner of the archives room, and people came in and told their stories. Rockwell, in a way, has given a gift to many of these models, and their story continued on after the artwork." The article has a nice plug for the collection of interviews I have posted on the Museum's YouTube page, as well as an interview with model Mary Keefe ("Rosie The Riveter"), who I have interviewed on a couple of occasions.


Actress Stefanie Powers posing with
her portrait created by Norman
Rockwell for the movie Stagecoach.
Photo by Jeremy Clowe for Norman
Rockwell Museum. All rights reserved.
On a related and interesting note, a couple weeks back I received a surprise call from the production staff of the touring show, Looped, which was playing at the Bushnell Center for the Performing Arts in Hartford, Connecticut. The lead of the show, actress Stefanie Powers (Hart to Hart) wanted to stop by the Museum and view the portrait Norman Rockwell created of her back in the 1960s for the movie Stagecoach. Accompanied by members of our curatorial staff, I toured her around the Museum and showed her one of the reference paintings as well as dozens of photographs that Rockwell took of Powers and her fellow actors to create separate paintings of the cast, which eventually ended up on the movie poster. While visiting, Powers even agreed to do a videotaped interview with me regarding her experience posing for Norman Rockwell, and her memories of working on the film. She was very gracious... even invited me to see her show in Hartford. Anyway, never know who you will meet at the Museum... I hope to post the interview online sometime soon.


At the moment I am preparing for next week's opening of our exhibition on the art of Walt Disney's Snow White and The Seven Dwarfs. I'm busy transcribing my interview with another model: dancer Marge Champion, who served as the live action reference for Snow White's movements. She is being honored with the Fred Astaire Award this upcoming Monday for her achievements in dance... congratulations, Marge!

Related Links:

www.nrm.org

www.youtube.com/normanrockwellmuseum

www.stefaniepowersonline.com


Wednesday, October 17, 2012

Spider-Sense

I spent the day today looking at my Alex Ross interview, transcribing some of the material to use for an upcoming article. Transcription isn't challenging, just time consuming... but it was interesting to revisit some of the discussion I had with the comic book artist about his work. 

One thing that stuck out again was his early love for Spider-Man, based on the comics and his appearances on the old children's TV show, The Electric Company. Ross described being amazed by this man running around in this colorful costume, fighting bad guys... and I would have to say I agree. Being the same age, I think that's where my love of comic books started as well. It was a magical sort of journey into fantastic lands... pitting right against wrong, and some really interesting characters... It certainly sparked my imagination. Anyway, I haven't seen those old Electric Company episodes in ages, but they are now available on DVD, and... yes, YouTube: 


What a groovy theme song, and yes... that's actor Morgan Freeman doing the narration... ha ha, love it! Transcription of this video sure would be easier, and I wonder who the actor playing the Spoiler was...

Speaking of "The Spoiler," the diabolical Mitt Romney was indeed stopped in his tracks during last night's debates by President Barack Obama. I'll share more of my thoughts when I have time, but who do you think Spidey would support for the next four years?... Mmm hmm... where are you coming from... Governor... nobody knows who YOU are!


Cover for The Amazing Spider-Man #583, 2009,
©Marvel Comics (image from Comic Book Resources).

Sunday, October 7, 2012

Dial HD For Hero

I've been a little under the weather this weekend. I felt it coming, so I've been laying low... analyzing some of endless articles on the Presidential debate and election, helping Sarah pack up her place for next week's move, and doing some networking. 

Alex Ross in his studio. Photo by Jeremy Clowe for Norman Rockwell
Museum. © and all rights reserved.
Speaking of which, I thought I would also take the time today to share some of the photos from my trip to Chicago last week to interview acclaimed comic book artist, Alex Ross. The occasion for my trip was to film an interview in his studio to use in conjunction with Norman Rockwell Museum's upcoming exhibition, Heroes & Villains: The Comic Book Art of Alex Ross. Being a fan of the artist's work, I must admit that I needed to get over some of my intimidation... not personally, but professionally... the man has obviously worked hard to produce lasting works of art (i.e. beautifully painted renditions of all of our favorite super heroes), so I wanted to be sure I had my game on--not only communication-wise, but technically.

I borrowed my filmmaker friend's Canon Vixia HF S10 HD camera for the shoot, and set about trying to master it's controls last weekend and in the days leading up to the interview. Despite its small size, this pro-sumer camera manages a rather decent picture. We set things up in Ross' studio, which was a treat to see--he had several drawings and paintings around that he was in the process of working on. He also gave me a tour of his home, where he had some of his original works on view... all expertly crafted... I secretly wished he would offer one for me to take home. 

Alex Ross' action figure museum!
Photo by Jeremy Clowe for Norman Rockwell Museum.
© and all rights reserved.
From there we checked out a huge room that Ross has filled with various super hero action figures--it was quite the spectacle, and I suggested that he should be offering admission for people to check it out! We were, in fact, "greeted" by my life-size wax figures of Superman, Wonder Woman, and Batman, that were all modeled on the artist's renditions--it was pretty wild... 



I laughed as Ross went about straightening Superman's cape, like a dutiful parent. The room was smartly organized by series and/or the world of each hero. One of the coolest items was a realistic Iron Man armor, which looked a lot like the version Robert Downey Jr. wears in the movies. Here and there, Ross also displayed works that he had a hand in sculpting (like an awesome model of the Hulk). We did a walk-through of this room, and I later wondered if I should have pursued the idea of extra lights (I hadn't because of extra costs). I'm not sure the Canon captured the best footage of this room with its lower light conditions, but I'll check it out again later. The footage we shot in his studio, on the other hand, was quite nicely illuminated by natural daylight coming through the windows, as well as the artist's own desk lamps. 

The interview went well, and the artist was very gracious with his time. My only regret was that we didn't have more time to film him working on an actual project, which he himself had suggested. When you are so into the subject matter, it is hard to know how to pace yourself... there were many things I was interested to ask him about and, in truth, it took us awhile to even start filming at all that day... Ross, his agent, and I were so caught up in talking about the comic book medium from the get-go. 

Anyway, this is valuable footage for the Museum to have both now and in the future. I was happy to initiate the idea, and hope that we will be able to put it to good use... watch this space for more details. 

In the artist's studio... Photo © Jeremy Clowe. All rights reserved.

Related Links: 

View more photos from my interview on Norman Rockwell Museum's Facebook page.

Learn more about Alex Ross on his website: www.alexrossart.com

Tuesday, October 2, 2012

In The Artist's Studio...

Today I joined some friends in Chicago... make that "super-friends!" Yes, that's comic book creator Alex Ross with a few of the subjects he has created beautiful artworks of over the years. The artist was gracious enough to sit down with me for an interview about his career on the eve of the exhibition of his work we will be presenting at Norman Rockwell Museum. Fun day in the "Windy City!" I'll share more details on the video when I get back.

Photo ©Jeremy Clowe. All rights reserved.

Monday, October 1, 2012

His Kind of Town

Keeping the Alex Ross thread going... this fun behind-the-scenes clip aired around the release of the movie The Avengers. The show was WTTW's Chicago Tonight... 



And not coincidentally, I am in Chicago tonight! More details soon...



Monday, April 9, 2012

The Answer Is Blowin' In The Wind

Back to work today. Back to endless emails, social networking, and a case of the ADDs. Makes me miss the fresh air and socializing from the weekend.


Yesterday we were treated to quite a display at Sarah's uncle's house. Terry is an engineer, and he has built quite an impressive collection of wind sculptures. Some are a bit hypnotic, and as artistic as they are expertly constructed. Here is a quick and dirty edit of some video I shot yesterday with my phone:




Video shot by Jeremy Clowe. All rights reserved.


Apparently the red one is planned to be our wedding gift, which is awesome! Now to find a house and yard to do it justice...



Friday, March 9, 2012

Speaking of Activism...

I'm trying to wrap my head around this whole viral video about fugitive African rebel leader Joseph Kony that has been popping up on Facebook and in the media this week. Sarah and I watched the video tonight-- it sure is slickly produced, and there's something about the tone that doesn't set right with me. 


From http://siena-anstis.com/2012/03/07/on-invisible-childrens-kony-2012-campaign/: "The issue with social media is really highlighted by Invisible Children. The number of “likes” on your Facebook page is not necessarily related to the quality of information you share. Social media allows making anything viral, quickly. People often do not look into the substance of the message, or even watch the video you are sending. Once you become a brand, you can do anything. Invisible Children has successfully become a brand, but is sharing information that is far from nuanced and based on emotional reactions. It fails to paint the full picture."


I'm thankful to learn more about the issue, but it's time for more research: about the atrocities of Joseph Kony, the current situation in Uganda, and the background of this group of filmmakers. 


Related Links:


KONY 2012 video

"Kony 2012: The anatomy of a viral campaign," The Washington Post, March 9, 2012


"#Kony2012 and the Warping Logic of Atrocity," Amnesty International USA, March 9, 2012

Thursday, January 12, 2012

Interactive Imagination

I have been looking at new ways of using video. I like the idea of video art, and started getting some ideas during my trip to New York City last week. I'm heading back tomorrow, so maybe we will have a chance to visit MoMa again, or see some other interactive displays.

At work the talk is all about mobile apps, a way of enhancing the visitor's experience through technology. Of course I am all for it, and have developed quite a bit of material-- video, writing, photography, to support the creation of new, multi-layered content. An idea of what is possible is this interactive timeline for Norman Rockwell's years in Stockbridge, Massachusetts, which I co-directed and produced much of the content for (we won a 2007 "best website" award for this mini-site from the New England Museum Association).

Interviewing Ralph H. Baer in Manchester, New Hampshire,
October 18, 2011.
This past fall I had the chance to meet a man who was thinking about interactive content back during the very early days of the television medium. Ralph H. Baer is generally considered the "grandfather of video games." Back in the late 1960s, this creative engineer developed the first of a series of games to play on a television screen, including the popular ping-pong game. A few years later he teamed up with Magnavox to release Odyssey, the first home video game console, based on his original “Brown Box” prototype. Baer continued to experiment with technology in the 1970s, creating the immensely popular music game SIMON. At age 89, this pioneer is as active as ever, serving as a consultant for engineering and the video game industry, and still hard at work on new ideas. 

I had the pleasure to conduct a very long videotaped interview with Ralph for the Norman Rockwell Museum Archives, and it was a true pleasure-- very inspiring for me. Hopefully I can share more of this interview at a later date. In the meantime, you can read more about Ralph in this blog I created for the Museum-- get your game on!


Ralph H. Baer's website: www.ralphbaer.com

Saturday, January 7, 2012

Force To Be With Reckoned With

I had a great time in New York City yesterday. The Spoken Word Almanac Project (S.W.A.P.) 2011 encore show went over very well, and we performed in a beautiful theater called Wild Project. This venue had a different feel than the Nuyorican Poetry Cafe, where we had performed our year in review show last month. Both sites had their advantages-- The Nuyorican is a renowned poetry club, where the audience really responded to our work; and Wild Project was more of a theater setting, with stadium seats and a separate lobby area (the venue actually reminded me of the former Main Street Stage theater in North Adams, Massachusetts, where I had performed over the last ten years as a company member).

Wild Project also had a huge back wall, where we projected my visuals. They looked great-- particularly the Debt Ceiling piece performed by poet Advocate of Wordz. For this poem, I chose to run footage I had shot of the debt clock in Manhattan. It was a more simple, "abstract" visual, and I find myself wanting to move more in this direction, when possible.

After our tech rehearsal in the morning, I had some time to kill before picking up Sarah at Grand Central Station. I decided to run over to The Museum of Modern Art and have a quick look at their latest offerings and permanent collection. The Diego Rivera show was interesting, and I also enjoyed looking at some of the Pop Art on display. I think this was the first time I had been back to the museum since their renovation, and the place really looks great. I even stumbled upon a unique video presentation-- it looked as if it was documenting an artist's day on dozens of screens lining the gallery space. I'll have to look more into it. As I said, this was a quick trip to get inspired, and I was happy for the reciprocal program between my museum and others, which lets me take in such things for free.

It was fun to do the show again after a couple weeks off. I spent some time talking with the producers about the next steps for 2012, and enjoyed hanging out with the performers after the show. Sarah and I got back to the Hudson Valley very late, and so today has been a rather sleepy, laid-back day-- perfect for watching movies.


On that note, here is a film-related clip from the December 17th S.W.A.P. performance at the Nuyorican. In 2011, filmmaker George Lucas once again updated his original Star Wars trilogy with enhanced computer generated imagery. Now, a lot of us were greatly inspired by these films growing up, and take great exception to their need to be updated... including yours' truly! I have a lot of problems with CGI in general-- it is so overused, and really distracts from the moviegoing experience, in terms of story and quality. Bring me back to the innovative days of the 70s/80s where such incredible sci-fi films had an organic quality, and just as much care has been put into their story!

The "Open Letter to George Lucas" poem, co-written by S.W.A.P. poets Adam "ShadoKat" Bowser, Justin Woo, and Caroline Rothstein, was a lot of fun to work on. I found some fun images, including a cryogenically frozen George Lucas-- take that! I hope he soon learns that we don't need his "excessive use of Force" (pun intended), and would like our childhood inspirations kept intact.

The poem following this is by the talented Scott Raven Tarazevits, and deals with a recent trip he took to Ireland to shoot an infomercial for the country's Tourism Bureau. As he filmed a scene about the local cuisine, where the producers had laid out an unnecessarily gluttonous feast, he opened the newspaper to find a story about the ongoing famine problem in Somalia. A little different in tone from the Star Wars piece, obviously, but just as interesting. We actually updated this one for the encore show, including a few personal photos from Scott's trip to make it more clear.

So, that's a wrap for another year of S.W.A.P. I once again enjoyed my time being a part of the artistic scene in New York City.

Wednesday, January 4, 2012

Video Gone Viral

Following up on yesterday's post: I realize that I have already made the jump into online video promotions. This video was created specifically for a site called Tourism Cares, a non-profit organization based in the travel industry, with a mission to preserve the travel experience for future generations. They have a program called "Save Our Sites," which is supporting Norman Rockwell Museum's conservation efforts. Kind of a unique idea: you can go directly to their site and make a donation, which will be used to help preserve seven of Rockwell's original drawings, which are in need of repair.*

Hopefully the message here was clear, and interested people in helping out the Museum's efforts. I created the video in such a way that it could be used to attract other donations, and so we have also used it on the Museum's website and Facebook pages. So there you go... viral!




Visit Tourism Cares' "Save This Sites" website: http://www.tourismcares.org/save-our-sites

*I have created a couple videos that demonstrate art conservation-- I'll have to share them at a later date!