Force Awakened

My imagination soars... circa 1977

Happy New Year…and, conveniently, Happy National Science Fiction Day! I say “convenient” because a “long time ago” (last year) in a “galaxy far, far away” (this blogosphere), I had been meaning to write about a couple things related to the genre. Today’s “holiday” celebrating the birth date of sci-fi author Isaac Asimov, seems the perfect excuse to revisit that idea.

My introduction to science fiction, like most kids born in the 1970s, was through Star Wars. I already had a pretty active imagination (fueled by comic book super heroes and monster movies) by the time that George Lucas’ classic, space western exploded on the big screen; I would, however, be lying if I said that that the film series wasn’t a huge turning point for my creative mind growing up. Weird-looking aliens, droids, spaceships, and futuristic battles…I was absolutely hooked. I forgot just how much these films took over my creative world, until a recent trip back to my parents’ house where I uncovered box after box of action figure, play station, and comic book (some of my own creation), which I would use to reenact Lucas’ amazing fantasy world.

The Ghost of Christmas Past
(aka the droids I was looking for)!

As I grew older, the world of Star Wars became a little more distant, but it never stopped being an inspiration for me as an artist. Maybe that’s why the prequels, which started rolling out during my late 20s, sort of soured that experience. Design-wise, The Phantom Menace recaptured the imaginative brilliance of those early films, but something was definitely off…even with all the hype, I could sense that the first time I saw it and the subsequent films (i.e. I only saw them once... that's saying something).

By 1999 we had entered the world of digital filmmaking and, ironically, the huge advances in special effects actually made the movie experience seem less special. I no longer believed these characters were interacting in this world, and the spectacle seemed to take over the human element (don’t even get me started on Jar Jar).

So this past year I approached the news of a “reboot” of Star Wars with a little more weariness. Truthfully, it applies to all big budget Hollywood films these days… most of the time they feel cheap and unwatchable in comparison with the films (from the Golden Age of 70s/80s) that I grew up with.

Then I started seeing previews for Star Wars: The Force Awakens with Harrison Ford (reprising his role as Han Solo) telling his Wookie friend, “Chewie, we’re home…” how couldn’t I get excited? 

Furthermore, I began to feel reassured to learn that director J.J. Abrams, who also grew up with these films, was on board; a couple years ago he had rebooted Star Trek, and I loved those movies! I was never much of a Star Trek fan, but he actually rekindled my interest in that science fiction world (which were probably more science-based, in retrospect)... his updated movies, with their nod to the original TV series, felt more organic, more fun than most big budget movies these days… more like the original Star Wars, actually.

  

The Force is strong! Two thumbs up,
post-screening, December 17, 2015

By late last month, I couldn’t wait. Sarah and I caught a sneak preview of The Force Awakens the day before it was released. It was a 3D spectacle, but Abrams brought a human element back to the series, and I actually found myself quite absorbed in the new characters’ story before any of the original cast returned to the screen. That being said, there was something so comforting about the site of the Millennium Falcon, the droids, and all these players, and the way it connected to a new generation! The movie series was always about family struggles and this new installment adds to that drama (but no spoilers from me!). It’s got me excited about The Force again, and I want to go back and watch the originals (which I haven’t seen in ages).

The only sad, perhaps inevitable note is hearing that George Lucas was disappointed. Apparently, he considers this new outing “retro"—that has been a criticism of the new film, that it basically retells the original plot of the movie with slightly different settings and actors. I understand that, to an extent, but I also see plenty of fresh ideas—the biggest plot twist took me by surprise, and I thought it was really interesting. The difficult thing is that I now have to wait a couple years for the sequel (it’s an odd experience…this instant, Netflix generation), but it just might be worth the wait, as I hear that its director, Rian Johnson, is quite innovative… apparently he directed some of the more memorable episodes of Breaking Bad (that’s saying something), as well as 2012’s Looper, a film about time travel… hmmm….

Related Links:

Star Wars - official website

Charlie Rose: George Lucas interview

Days of Future Past

Future's so bright...looking McFly outside
WAMC studios. Photo courtesy Jim Levulis. 

Although we're setting our current clocks back, it's official: the events taking place in the Back To The Future trilogy are now firmly in the past (or some alternate version of it). I know, this is heavy!

No, flying cars and hoverboards have yet to be mass-produced for an eager public, and the Cubs didn't quite sweep the World Series. However, the movies did get quite a few things right (flat screen TVs, video conferencing, drones, voice and fingerprint recognition), and the last week reminded us of our timeless appeal.

What a week it has been. I started "Future Day," October 21, 2015, with an early morning interview at Berkshire radio station Star 101.7, to promote Norman Rockwell Museum's "Back in Time" family festival. The host, Evan Valenti, is a fellow BTTF fanboy, so I quite enjoyed speaking with him at great length about the event and movie series. To honor the occasion, my colleague and I were decked out in our best Marty McFly outfits; as Evan started the segment (speaking into the mic with his back to us), I quickly donned my 80s-style Ray-Bans, and he burst out laughing when he turned around to greet us..."rock and roll!" If you have "the time," you can listen to the segment here.

After the interview, I posted some quick selfies and checked into my work email by phone (who saw that coming 30 years ago?). There was a new message from another area radio station looking to do their segment about the family event, in celebration of "Future Day." This was suddenly turning into quite the press tour!

Prior to learning about this request, I had tagged my selfies with the movie-referencing line, "to the clock tower!" By complete coincidence, that is literally what I did—WAMC's Berkshire Bureau is actually housed in Pittsfield's Clocktower Business Park. I enjoyed speaking again with reporter Jim Levulis about our upcoming festival, and why the Back To The Future films continue to resonate for me and many others. "Jeremy Clowe is a, uh, big fan of the trilogy" joked Jim, as he introduced me, still clad in all my stonewashed '80s glory, during the segment. You can give it a listen here (no flux capacitor necessary).

But the real reason for my getup had more to do than just radio interviews that day. The previous week, I had read a somewhat "dubious" post about Back To The Future on Facebook, offering the chance to attend a Future Day screening of the second movie and talent Q&A(!) in New York City. The invitation pointed to a rather non-descript Google doc, but I RSVP-ed anyway. Reading comments that there was a limited seating of 750 made me further question my chances, but since I was taking the rest of the day off, I figured "what the hell?"

"Look me up when you get there":
"Back To The Future" cast reunion in London, July 2015
Courtesy: Lea Thompson (Twitter)

With no flying cars in sight, I took the train. My excitement grew as I sat back and watched a segment with the movie's stars, MIchael J. Fox, Christopher Lloyd, and Lea Thompson, broadcast on the Today Show that morning. I was really touched to see these actors together again, looking great and talking about the movie's legacy (and what did or did not come true for 2015). My only wish, at that point, was that my entry into the evening's screening would be filed in the "did happen" column. 

So, a couple hours later I arrived in the city to find a souped-up DeLorean and sizable crowd already winding it's way around Lincoln Square's AMC Theater...sizable, but not overwhelming (thank God!). I quickly staked my place in line, and began chatting with others, who also confessed to some uncertainty about the Facebook invite. After a while, it looked like this was indeed happening; I began to see other "Martys" (from 1985 and 2015... a pardox!) take their place in the queue.

It was interesting to spoeak with other fans, and learn about the own affection for the films; I was surprised to hear several comment about how the much "darker" Part II was actually their favorite of the series. Different generations seem to respond in different ways—I was an early teen when the first movie came out, so that one still holds a special place for me (more on that later). An independent film crew was also on hand, and even interviewed me in costume... it gave me a chance to practice my improv, while waiting: "Doc was ahead of his time...many times, actually!"

Honest to God, at exactly 7:29 p.m. (the time Doc, Marty, and Jennifer arrived in the future/present) I received my bracelet to go into the theater. My new friends and I made our way into the beautiful, vintage-tinged AMC movie house, and were delighted to learn that not only was the screening/Q&A complete free, but also as many complimentary beverages and snacks as we wanted (As Lorraine would say, "an absolute dream!").

The Future is Now! Left to right: Michael J. Fox, Christopher Lloyd,
Lea Thompson, Huey Lewis, Bob Gale, at AMC Loews Lincoln Square,
NYC, October 21, 2015. Photo: Jeremy Clowe. 

After the full crowd settled in, an announcer welcomed us all, and began to introduce the cast and filmmakers: Donald Fullilove ("Mayor Goldie Wilson"), Claudia Wells ("Jennifer"), and Alan Silvestri (whose stirring musical score for the trilogy still inspires me to this day)... the crowd went wild, and then it was time to welcome the group taking part in the Q&A: musician Huey Lewis (his hit "Power of Love," featured in the first movie, still gets me going), screenwriter Bob Gale, and actors Lea Thompson (Lorraine), Christopher Lloyd (Doc), and Michael J. Fox (Marty). A standing ovation...and rightfully so! 

All involved seemed to be having a blast, and I had to pinch myself that I was actually witnessing a live reunion of my favorite movie series of all-time. There were some fun questions, including Fox talking about playing his daughter Marlene in the second movie, and "riding" the hoverboard. I'm still looking for the full talk, but you can view a short, edited version here.

One last look into the future, courtesy of "USA Today."
AMC Loews Lincoln Square, NYC. October 21, 2015.
Photo: Jeremy Clowe. All rights reserved.

All this set the stage for a screening of Back To The Future II, which I hadn't seen on the big screen in about 25 years. As the music swelled, cast appeared on screen for the first time, or bad guy Biff slammed into another manure-filled truck, the theater cheered. It was great fun seeing the film with other fans, as enthusiastic as I was. 

After the screening I spent time chatting with other fans, took photos of those dressed up as characters from the films, and handed out flyers for our BTTF-themed event at the Museum. However, the late hour reminded me that where I was going I needed roads. My train and car ride delivered me back home at the ungodly hour of 3 a.m., but it was absolutely worth it. A memorable experience, capped off by the front cover of USA Today the next morning, made to look like it did from the second film (great marketing move there).

But no rest for the weary... I still had to finalize details for the Museum's weekend festival, including the transportation of vehicles; the framing of our signed Drew Struzan movie print, donated by the artist; preparing of display items and a Powerpoint for our speakers; and continuing press outreach. There was certainly a lot of excitement in the air surrounding the event, and it propelled me forward (despite my lack of sleep).

Where these guys are going, they don't need roads!
Jeffrey Rothenberg (DeLorean) and Jeff Chabotte (Griff's actual
flying BMW) at Norman Rockwell Museum's "Back In Time" festival.
Photo: Jeremy Clowe/Norman Rockwell Museum 

The day of the event arrived, and I drove to the Museum while listening to a live, rebroadcast of the BTTF-themed MyExit show I had created for WEXT (perfect timing!). The entrance to the Museum unfolded to reveal a handful of classic, vintage cars, which really did make it look like you had traveled "back in time." I greeted car and BTTF enthusiast, Jeff Chabotte from Connecticut, who I had discovered lived an hour and a half away and owned an actual car used in the movie series; I told him how I had just seen Griff's flying BMW on the big screen during the New York City screening. Jeff very personable with fans and visitors, and even let me take Griff's hover-converted car for a spin; I was excited, but a little cautious, since the vehicle was up for auction later that day (it sold for over $32K

We also had to have a DeLorean (the signature car in the movie series), and local owner Jeffrey Rothenberg was equally gracious with his time, letting kids (of all ages) sit behind his "time machine." There were a number of other beautiful cars on site that day—from the early 1900s to 1980s; you can view an album of some of my photos on Norman Rockwell Museum's Facebook page.

As if that wasn't enough, we also had Halloween arts and crafts for kids, and I invited my friend, DJ/musician Mike O'Brien to spin some golden oldies and karaoke for the crowd (my "Elvis" made a return to the grounds of the Museum, literally feet away from my office). 

Celebrating the art of cinema, with Robert U. Taylor,
production designer, "Back To The Future: The Ride," and donated
sign print from Drew Struzan, during "Back in Time" festival at NRM.
Photo: Jeremy Clowe. All rights reserved.

Later in the day, I presented my own Q&A with Berkshire-based filmmakers, Robert U. Taylor and Dai Ban, who worked on Back To The Future: The Ride with special effects wizard, Doug Trumbull. It was great to make that local connection, and the full crowd seemed to enjoy learning about and seeing what went into this pre-CGI immersive experience. Taylor mentioned that it would sometimes take a full day just to film less than a minute of stop-motion footage: you can see the impressive results yourself on the 30th anniversary of the Back To The Future series, which was just released on DVD and BluRay.

From there I hustled to prepare for our main feature: a screening of the new Back To The Future documentary, Back in Time. The film looks at the cultural impact of the enduring movie series, and offers interviews with cast, crew, and filmmakers, as well as fans and artists inspired by Back To The Future. 

Prior to the screening, I spoke to the crowd about my own fondness for the films, and how they had inspired me. My talk and the screening was complemented by a small display of some of my BTTF collectibles, the donated Drew Struzan poster, and a room filled with Norman Rockwell's entire 323 Saturday Evening Post covers, evoking the mood of the first movie. It was a wonderful way to cap off this memorable day, where I was able to get creative while celebrating the art of the cinema I have enjoyed for many years.

I'll wrap things up by describing one of the unexpected highlights of the "Back in Time" day for me. As part of my Marty McFly costume, I wanted to pay tribute to skateboarding, which the main character does throughout the series. I actually started boarding as a teen, after seeing that first movie (I even had the brand of skateboard Marty used); I wasn't bad, and remember being able to do a handful of impressive moves. I decided to pick up a used board to bring along to the event.

All aboard! Recruiting new fans at the "Back In Time" festival,
Norman Rockwell Museum. Photo: Jeffrey Rothenberg.
©Jeremy Clowe. All rights reserved.

It had been nearly 25 years since I tried out my skateboarding skills, but I gave it a go during the event. The ground surface wasn't perfect, but I started to get the hang of it. Before long, a group of kids started running alongside me, impressed with the activity and wanting to give a go on the board themselves. I felt like a pied piper, as several mini-Marty McFlys took their own spin at skateboarding, and one adorable little boy said to me, "you're my favorite." Back to the future, full circle... could it get any better than that? 

Last night I retired my McFly outfit (for now), by singing some of those 80s "golden oldies" with friends at Mike's karaoke bar for Halloween. As Huey Lewis sang, "don't take money, don't take fame, don't need no credit card to ride this train..." That's the power of love, and I wouldn't change a thing about this past week.

Stay tuned: I have one more post to go, where I'll summarize what the time travel trilogy has meant to me creatively... and don't forget to fall back (to the future)!

Related Links:

Waking up with Evan Valenti, Star 101.7 WBRK, October 21, 2015


"Rockwell And McFly: Museum Celebrates Back To The Future Films," WAMC News, October 21, 2015

"Rockwell Museum to Host Back to the Future 'Flying BMW,'" Time Warner Cable News, October 23, 2015

"Back in Time": A Back To The Future Documentary

"Back To The Future" official website

The Future Is Now!

Greetings from the future!
DeLorean/hoverboard courtesy: Jeff Rothenberg

On this date at precisely 4:29 p.m., time travelers Dr. Emmett Brown and Marty McFly will descend on Hill Valley, California, from the year 1985...making movie history! Let's all give them a warm welcome, shall we?

And how! This month, media and fans have been talking up a storm about the 30th anniversary of Back To The Future and the arrival of Future Day (October 21, 2015, as depicted in the second film from 1989). I couldn't be more happier... as a fantasy film geek, it's fun to see how many things from the future did or did not pan out (how about those hoverboards?!?)

Back To The Future has to be my all-time favorite movie, and the combination of the first and second films (and their clever storytelling, performances, and effects) is really what inspired my idea to pursue filmmaking (for better or worse). In any event, I've been looking for the opportunity to celebrate the occasion, and this weekend it will become reality, as Norman Rockwell Museum will be presenting a "Back in Time" family festival, assembled in "heavy" amounts by your's truly.

This Wednesday at 8 a.m. ET, you can hear me and my colleague Rich Bradway on Pittsfield, MA radio station, Star 101.7, describing how this unique event came together. Rich, our new Director of Digital Learning + Engagement, has experience with and came up with the idea for a classic car show, and I proposed enhancing it with a celebration of all things BTTF in time for the anniversary. Yes, we will have a DeLorean on display!

In addition, I managed to line up a real, honest to goodness, flying automobile that appeared in the second movie. I contacted car owner, Jeff Chabotte, from Connecticut, after seeing this great video about how he restored the character Griff's Hover BMW:

The car is actually up for auction during the huge "We're Going Back" celebration, being held on the same day as our event in Los Angeles, California. Disclosure: it doesn't really fly (and actually needs a lift getting here), so this may be your first and last chance to see the car. Pretty exciting. 

Designs on the future:
Robert U. Taylor shows me examples
of his production design for "Back To The
Future: The Ride." Photo: JC

Another connection I made is with local filmmakers who worked on the acclaimed "Back To The Future: The Ride" for Universal Studios. I had heard that film visionary Doug Trumbull (2010, Blade Runner) had put this ride film together with a crew from the Berkshires, where he is based, but I did not know until last week that the film was literally created down the road from the Museum, in one of the old paper mills. I have lined up the ride film's production assistant, Robert U. Taylor, and model maker, Dai Ban, and they will join us on Saturday as well, to talk about their experience bringing the movie series to life. They lent some great illustrations, photos, and video, that we will  be sharing.

This afternoon I also received a rare, signed print from movie poster artist, Drew Struzan, who created the iconic posters for all three movies. This was very exciting (and generous on his part), and I expect that it will be a highlight among a small display of objects (I have quite a few that I have collected over the years, including issues of the old Back To The Future fan club, which was active during the release of the second and third movies).

Great Scott, I almost forgot to mention: we will be screening the new documentary, Back in Time, which looks at the cultural impact of the film trilogy. I have previewed the film, and it's very well-done, including interviews with fellow fans, screenwriter Bob Gale, director Robert Zemeckis, executive producer/Norman Rockwell Museum trustee Steven Spielberg, and members of the cast, including Michael J. Fox and Christopher Lloyd... "heavy" indeed! 

Well... it's all about time, and I'm running out of it, but I will share more soon... "the future" has yet to be truly written!

Related Links:

Time is on our side! Photo: Universal Pictures

"Back To The Future" official site

Norman Rockwell Museum's "Back in Time: Cruise In"

"Norman Rockwell Museum Goes “Back In Time” with Family Festival To Celebrate 30th Anniversary of “Back To The Future” (press release written by JC)

"Back To The Future II: What did it get right and wrong?" BBC News, October 20, 2015 

"Back in Time" documentary site

Hope for the Future

Photo ©Jeremy Clowe. All rights reserved.

One of the most memorable events for me this past year was taking part in the People's Climate March in New York City on September 21. The largest climate march in history, an estimated 400,000 people took to the streets to show concern and support for measures to combat the threat of a changing climate. 

In addition to the good will, there was an incredible amount of creativity on display. Enjoy the slideshow (below) of some of my photos from this historic day, which I was proud to take part in. 

Related Links:

"2014 Brought Lasting Action on Climate Change Policy," NPR, December 30, 2014

Remembering The Father of Video Games

Photo of Ralph Baer in his Manchester, NH, home,October 2011. 
Photo by Jeremy Clowe for Norman Rockwell Museum. All rights reserved.

I was sorry to hear about the recent passing of Ralph H. Baer (1922-2014). Considered "the father of video games," Baer held over 150 patents in the U.S. alone, and was responsible for the creation of such early games as Ping-Pong in the 1960s; and Odyssey, the first home video game console, in the 1970s.

As someone who was obsessed with video games in middle school/early high school, I was thrilled when I had the opportunity to travel to Manchester, New Hampshire in October 2011, to meet Baer and conduct a videotaped interview in his home/studio for Norman Rockwell Museum (where he had been an art donor). Then 89 years old, Baer seemed as active as ever, still tinkering in his studio and trying out new ideas. He was also quite generous with his time, offering a quite thorough interview and explanation of his early experiments in television engineering, which lead to the idea of interactive video gaming. Here is a quick edit I created yesterday of some of the footage: 

Yes, that's Baer trying out Simon, which he also created. I remember being quite taken with that musical toy as a kid, and it's pretty wild to realize that this pioneering engineer also advanced the electronic toy and greeting card industry—I enjoyed having the opportunity to literally see his creativity at work during our meeting. 

Photo by Jeremy Clowe. All rights reserved.

Five decades later, video games are a billion dollar industry (today it's my pre-teen nephew hooked on such games as Minecraft). It's nice that Baer had the opportunity to see just how far his ideas had come; it was an honor for me to spend some time getting to know him.

Related Links:

"Video game designer Ralph Baer invented your childhood," Washington Post, December 8, 2014

"Portrait of a Game-Changer," my 2011 article for Norman Rockwell Museum

Laughing...Until It Hurts

Learning about Robin William's death yesterday was unnerving... to say the least. I was already feeling down, trying to figure out an ongoing challenge at work, and here was news that this actor/comedian, who seemed to have the best job and opportunities, had taken his own life. They say that laughter is the best medicine, so how to reconcile the fact that this comedic genius, who brought a smile to so many faces over the years, had been suffering? 

Good Night, Robin:
Promo photo from Touchstone Pictures'
"Good Morning, Vietnam," 1987

Of course I knew about Williams' past troubles with substance abuse; I am familiar with the darker demons that many artistic individuals struggle with. It's just one of those moments that makes you think about the bigger picture—echoing words from A.O. Scott's appraisal in today's New York Times, Williams was one of those gifted entertainers "we sometimes took for granted or allowed ourselves to tire of."  Someone who, regrettably, we always thought we'd have around.

I feel like I grew up right alongside Robin Williams' career. I remember his debut as the alien Mork (from Ork), first on Happy Days and then in the series Mork & Mindy. It was hard to ignore his manic energy... his zany, "all things go" style. His comedy specials made us think he was "fearless."

Later, it was interesting to see this intensity displayed on the big screen—in both successful comedic and dramatic roles. Some of my favorites include Good Morning, Vietnam (1987); Awakenings (1990); Aladdin (1992); Good Will Hunting (1997); the remarkable One Hour Photo (2002); and, of course, Dead Poet's Society (1989), where he playing the unconventional teacher, standing on his desk, inspiring his students to "seize the day."

Photo courtesy Ellen Mazzer. Los Angeles, CA, August 2014.

Sometimes he could be a bit much, but you can't say he never "went for it" as a performer (even in media interviews). Having done my own share of improvisational acting, I admired and recognized his rare talent—I don't recall watching any of his performances thinking, oh that's Robin WIlliams the comedian doing "Teddy Roosevelt" or a doctor, or what have you. He was a comforting presence on the screen (almost like a family friend), and still delivering the goods after all these years. It's heartbreaking to think that there will be no more.


On a human level, it's hard to hear about another individual who battled and lost out to depression. For the sensitive soul, it can seem especially challenging to find people to relate to and ask for support... if you are reading this and feel that way, I urge you to reach out anyway... to friends, family, acquaintances, or professionals. Life is hard, and I have felt that darkness... we all have at one time or another.

Related Links:

"Robin Williams, an Improvisational Genius, Forever Present in the Moment," New York Times, August 11, 2014

"Remembering Robin Williams," WTF with Marc Maron Podcast, August 11, 2014

U.S. National Suicide Prevention Lifeline: 800-273-TALK

Mad Bad and Dangerous To Know

At least there's the soundtrack...
courtesy www.nonesuch.com

I have definitely been getting a crash course in film studies lately. Sarah and I have been watching a ton of TV and movies and, more often that not, there seems to be a common thread that we are drawn to.

Yesterday we made it out to see Inside Llewyn Davis, the new film by the Coen Brothers. A longtime fan of the brothers' quirky tales of lovable losers, I have to admit that I was disappointed by this near-humorless movie. Don't get me wrong, the music and cinematography definitely paint the picture of the early '60s New York folk scene, but that was about all I found attractive. Oscar Isaac seems a talented singer, but there is nothing sympathetic about the title character that he portrays. Miserable Llewyn Davis, walking trough the Village in his thin coat, insulting people, chasing after lost cats... the film is about struggling and the artistic life, but very early on I didn't find much about this selfish character to root for... isn't that the idea of the anti-hero?

bad-ass gift! The complete "Breaking Bad" series on DVD.
Courtesy www.breakingbadstore.com.

There was an interesting NPR story that came out this past fall about how in the very first episode of Breaking Bad, show creator Vince Gilligan utilized several story and filmmaking tricks to get us to sympathize with Walter White (played by the brilliant Bryan Cranston). A down on his luck chemistry teacher who learns that he has inoperable lung cancer, NPR points out that the filmmakers establish a world full of sad obstacles for the character and then bring us a point-of-view sequence where we can connect with the character's emotions even further. It seemed to do the trick: after five seasons of increasingly evil behavior, I still find myself somewhat rooting for the nerdy teacher turned meth-cooking drug kingpin. 

I have said it before, but I was so impressed with Breaking Bad. The great thing is that the production of the show has been so well-documented, and I have enjoyed listening to the series podcasts on the way to work and watching behind-the-scenes footage on the show's DVDs. Gilligan and his crew have been extremely generous in letting us see what expertise each member of their crew brought to the table (the writer's room comes to mind), making one of the most compelling series of all time. 

Mad about it... how many weeks until April 13?
courtesy: www.amc.com

After bingeing on Breaking Bad, I was eager to immerse myself in another show of equal quality. People had been talking about the 1960s advertising drama, Mad Men for some time, but I hadn't really taken the time to look into it (apart from an unsuccessful attempt by Sarah and I to watch the first episode of season three, and being repulsed by the characters). Late last year I decided to give it a proper try, starting at season one... and many weeks later Sarah and I had a new favorite show. 

I had a feeling I would enjoy the show's attempts to recreate an authentic "look" of the era, but was surprised how I also began to appreciate and care for the characters as they travel through the changing culture of the 1960s. Don Draper (Jon Hamm), Roger Sterling (John Slattery), Pete Campbell (Vincent Kartheiser)... these are all fairly repulsive men who operate in a selfish, cutthroat and sexist world but again, through great writing, performances, and the unfolding nature of episodic TV, you really get to learn the background and different aspects of each character's personality (almost like a psychological study).

When asked about the appeal of Mad Men during a Paley Center talk with the show's creator and cast, actor Jon Hamm made an excellent point: "It takes it's time... it's not dependent on a certain formula or a certain show that has succeeded in the past... it's sort of this cool little one-off." Show creator Matthew Weiner continued that "you don't know what's going to happen, which takes a tremendous amount of effort from the both the audience and the writing, because the audience is really used to getting into the formula of like Agatha Christie or Law & Order or one of those things... and I think it also helps that the show is kind of honest in an almost embarrassing kind of way."

Mad Men and Breaking Bad have kept me on my toes as a viewer—I appreciate that. Like a good novel, these works are not presented merely as "black and white," and I find myself less patient of TV and films that would present otherwise. 

Do the hustle! Amy Adams continues
to shine. Courtesy www.thewrap.com

In the last couple weeks we have also seen the movies Her and American Hustle—both films are expertly made, but not entirely successful for me. The acting is the best part of American Hustle, loosely based on Abscam, the FBI's sting operation of the late 1970s. Actor Christian Bale plays Irving Rosenfeld, a cheating con man with a ridiculous toupee (hard to believe that before this he starred as Christopher Nolan's Batman) who eventually ends up working with an FBI agent to entrap corrupt politicians. Last seen in the Schenectady-based Place Beyond the Pines, Bradley Cooper plays agent Richie DiMaso, who has his own bad hair issues (I realize now this is what he must have been shooting when he showed up for the Pines premiere here in town). There is great dialogue between all the characters, including the always-entertaining Amy Adams, playing Irving's fellow con-artist/mistress Sydney Prosser. It's the kind of work that might be even better as an ongoing TV series, as the plot seems to get a bit unfocused... but again, I loved the period recreation and characters.

Her certainly has an interesting premise: in a not too distant future, a lonely man starts a "relationship" with his computer operating system—with the way technology is heading (simultaneously bringing us together and further isolating) it's a rather sobering thought. 

Photo of filmmakers Spike Jonze and David Fincher
talking movies at the NYC premiere of "The Curious Case of
Benjamin Buttons, December 2008. Photo by Jeremy Clowe.
All rights reserved.

I admire filmmaker Spike Jonze's work, even though I was pretty disappointed with his adaptation of Maurice Sendak's Where The Wild Things Are (maybe that was largely due to Dave Eggers' neurotic screenplay and the whiny voices of the monsters). In a recent interview, Jonze described learning something about vocal performances from that movie, which helped in the production of Her; I can see the benefit, as Scarlett Johansson was certainly captivating as the voice of Samantha The OS. A dressed-down Amy Adams was also fun as a "real-life" friend to Joaquin Phoenix's Theodore Trombley character (including a ridiculous exchange about people cheating on each other's operating systems). Otherwise, the movie felt a little too claustrophobic and depressing for me. I continue to appreciate what Jonze is trying to do, but prefer his more playful music videos and early films. 

So yes, I'm typically drawn to quirky movies and television, with flawed, realistic characters. Furthermore, I certainly enjoy a great looking film, but am beginning to wonder if the majority of critics are being deluded by style over substance... 

www.facebook.com/downtonabbey

TV seems to be winning out at the moment, and hey... it's cozier on the couch with your girl and a bowl of popcorn. Downton Abbey returns tonight, and I too have succumbed to the allure of this period piece looking at the British upstairs/downstairs social hierarchy of the Crawley Family Estate. This season has brought the cast outside of the Abbey a bit more, opening them up to the changing culture of the 1920s Jazz Age—not a bad thing. Again, the production values and performances are superb; I also find it interesting how they are dealing with the departure of actors, and maintaining strong storytelling. 

In a creative sense there's plenty to watch and learn from in the movies, but perhaps more so from the new "Golden Age of TV." Who would have thought?

Step In Time

Happy New Year... or in my case, happy new 'ear-! We literally ended 2013 on a quiet note, as I recovered from an ear infection I picked up over the holidays... oof. 

Otherwise, we've been having a good time. On New Year's Eve we decided to go see the new movie Saving Mr. Banks, which tells the story of Walt Disney's attempts to win over author P.L. Travers for the rights to bring her book Mary Poppins to the big screen. Sarah and I both enjoyed it, agreeing that actress Emma Thompson, starring as Travers, really made the movie (I liked the New Yorker review of the film, which remarked that "a spoonful of her medicine makes the sugar go down."):

Of course I have always enjoyed Tom Hanks (at one point in college, I made a point of watching EVERY film he had appeared in); here he does a commendable job of bringing Walt Disney to life. It's a Disney film, and some of the scenes are fictionalized, but I felt that it struck a nice balance between the magical kingdom and "real-world"... in other words, the story was well-written, engaging, and didn't seem as sweet as the jelly beans sitting on Uncle Walt's desktop. Having recently become addicts of the TV show Mad Men, we also enjoyed watching the filmmakers' attempts to recreate the time period: 

Cover of 1957 biography on Walt Disney, signed by the filmmaker
to my father (a big Disney fan). The book was co-authored by Walt's
daughter, Diane Disney Miller, who died this past year.

It seemed somewhat fitting to end the year on a Disney note, after I had spent a good part of the year promoting our Snow White exhibition at Norman Rockwell Museum. In the process, I learned quite a bit about Walt Disney, including his friendship with Norman Rockwell (it was fun to see Rockwell's portraits of Disney's two daughters hanging in his office in the film). Sadly, Walt's daughter Diane Disney Miller, a member of the Museum's National Council, passed away in November, and never did make it to Stockbridge to see the exhibition. A nice touch was a note of dedication to Disney Miller in the movie's end credits—it was her love of Travers' original Mary Poppins books that inspired her father's 20 year effort to bring the character to the big screen.

Sarah ushers in the new year...
with another book (a 1943 P.L. Travers
original)!

A big part of Saving Mr. Banks also deals with Ms. Travers unresolved feelings for her departed father, who inspired several themes and characters in her novels. There was a great moment in the movie where Disney finally convinces Travers to bring her creation to the big screen, revealing the conflicted relationship he held with his own father and how also had used creativity to overcome some of life's trials: “That’s what story tellers do. We restore order to imagination. We bring hope.”

Damn it, Hollywood... another film this past year about the legacy of fathers, and it nearly choked me up (again). 




Later that night we ushered in the new year by watching the original Mary Poppins—I don't think I'd ever seen the movie all the way through. It was charming in many ways:  Julie Andrews, Dick Van Dyke (his physicality was amazing!), the music, and some fun special effects. Yes, I'd say it was a supercalifragilistic way to end a fairly pleasant year... 

Related Links:

"Saving Mr. Banks" official website

Norman Rockwell Meets Walt Disney (short clip from interview I conducted with artist Jarvis Rockwell, son of Norman Rockwell)

Marge Champion, the original "Snow White" (short clip from interview I conducted with the famed dancer/model for Disney's first feature-length film) 

Radio Disney Albany's "Backyard Show" (interview I conducted with the station re: "Snow White and the Seven Dwarfs: The Creation of a Classic"), July 28, 2013

Marge Champion: The Real Life Snow White, 94, Danced in Her Dad's Footsteps," Babble, July 2, 2013

"Walt: The Man Behind the Myth" (trailer for decent documentary I saw this past year)