Showing posts with label digital. Show all posts
Showing posts with label digital. Show all posts

Saturday, August 25, 2012

Sharing in the Digital Age

Transitioning... c.2009. Photo ©Jeremy Clowe. All rights reserved.
One of the contributions I am most proud of making during my years at Norman Rockwell Museum, has been the videotaping of oral histories with Norman Rockwell's models, acquaintances, family, and other artists who have been inspired by or continue in the illustrator's tradition. I am frequently conducting the interviews, manning the camera, checking the audio, and in some cases, editing it for promotional or exhibition use. It can be time-consuming, but I'm good at it... and feel I am providing an invaluable service (last fall I did an interview with Ralph Baer, one of our donors, who is considered the founder of video games). I have also conducted oral histories outside of the Museum, and am so glad that I thought to sit down with my late grandmother, who meant the world to me... I learned so much about my family that I might never have known otherwise.

Many of the interviews I have conducted for the Museum were before the advent of HD cameras, so I'm happy that steps are being taken to preserve this work for later access. I am also at a point where I must consider this for my own large archive of independent recordings, which include interviews with many important music artists... some who have also since passed.

The other day the Museum Director forwarded along a newsletter from the Institute of Museum and Library Services (IMLS), which contained an article about Michigan State University's efforts to preserve and improve the practice of conducting oral histories in the digital age-- the school was actually the recipient of a 2009 IMLS grant that supported this ongoing effort.

The early result is the "Oral History in the Digital Age" website, which is attempting to gather some recommended standards--everything from selecting video equipment and achieving good audio recordings to intellectual property issues and oral history podcasts. It looks like a useful site for video professionals and even the casual videographer, looking for advice on how to record their family or friend's story for future preservation. 

Hmm... so how does one go about winning a grant to afford the upgrade of digital technology? I'll have to research that one further...

Related Links:

Oral History in the Digital Age website

Personal Archiving -- Digital Preservation, Library of Congress website


Saturday, June 23, 2012

Homecoming Weekend

Speaking of Norman Rockwell, I spent the afternoon filming and photographing a real-life "Homecoming." Two soldiers returned to the Berkshires after being deployed abroad, and we held a grand ceremony at Norman Rockwell Museum. 

"The Homecoming," 1945, Norman Rockwell.
Oil on canvas, Private Collection.
©1945 SEPS: Curtis Publishing,
Indianapolis, IN.
Since Rockwell created so many patriotic illustrations during World War II (i.e. The Four Freedoms), our Museum seems perfectly suited to serve as the backdrop for such events. Rockwell's 1945 painting The Homecoming is on loan to the Museum for a short-time, and we tied the arrival of this artwork in with the already scheduled program. 

The Here at Home Committee, who planned the event, contacted CTSB-TV, where I do some video work, to see if there were any videographers free to film the event. Since I was already working the event, it made sense that I would film it for the station. This also gave me a chance to try out their Sony NXCAM HD camera again. In some respects, it's sort of like learning to ride a bike again, and I'm discovering all of the subtle nuances with a tapeless format and new camera controls. I'm sure I'll get there, but after juggling this HD video camera and the Museum's Canon EOS 60D digital still camera, I'm exhausted... this one-man band thing can get a little old sometimes. Anyway, hopefully I got some usable footage... I have the camera until Monday, so maybe I'll take it around for further testing over the weekend.

Right now I'm off to Old Songs, a yearly folk festival that has become a tradition for Sarah's family. It will be nice to unwind and listen to some live music, at the foot of the Altamont's mountain area... and not far from where our wedding will take place!


Saturday, April 7, 2012

Virtual Insanity

Saturday morning. Glad the weekend has arrived. 


The last week was a hectic one at work, busy handling press about Norman Rockwell Museum's involvement in Google Art Project. I conducted a long interview yesterday with WFCR-FM, New England Public Radio, about the Art Project; and I will be doing a live interview about the Museum on Monday, April 7, with WKNY Radio in Kingston, New York. Here are links to listen to both stations on Monday−the WKNY interview will be starting around 9:15 a.m., and WFCR will air later that day:



www.wkny.blogspot.com
http://nepr.net


Today is bright and sunny out here in the Northeast−a perfect day to get away from the computer screen, and take in some fresh air and exercise... but look at Google's latest state of the art endeavor−soon, the virtual and everyday may be even further entwined... arrrgh!




I have mixed feelings about these augmented-reality glasses−social interaction already seems to be deteriorating in some ways, and do these computer-enabled programs help make us smarter or more dumbed-down and dependent? 


Hmm... well, enough virtual world for now. Sarah and I are going to head out, maybe stop at a bookstore, and try and get "off the grid"...


Related Links:


"Google Begins Testing Its Augmented-Reality Glasses," New York Times, April 4, 2012

Thursday, April 5, 2012

Getting My Google On

I had quite a surprise this morning as I drove into the Berkshires... I stopped to pick up a copy of The Berkshire Eagle, only to find my smiling face on the front cover--above the fold!

Photo by Ben Garver, The Berkshire Eagle. All rights reserved.
That's me and my colleague Thomas Mesquita, who helped bring Norman Rockwell Museum from the physical galleries to the online Google Art Project. The Museum's section of the high-resolution art database went live on Tuesday, and it came out really nice. Here you can see a selection of some of Rockwell's earliest work from our collection, with the opportunity to get incredibly close to the artwork online (our docents can relax!). The site actually allows you to zoom in and maneuver around each artwork featured, which offers the chance to view incredible detail that you most likely would not have the opportunity to see. Other sites have uploaded extremely large gigapixel images, and it is just amazing to be able to get that close to the works of such artists as Vincent Van Gogh or Georges Seurat.

The Berkshire Eagle article includes an interview with Norman Rockwell Museum Director/CEO Laurie Norton Moffatt, who attended the global launch of Google Art Project at Paris' Musée d'Orsay (one of my favorite museums!)  earlier this week . From the article, she states: "As popular and visited as our museum is, we know not everyone will be able to visit or even know who Rockwell is. This brings us great exposure and allows many more people to know his work."

We have a few other high-profile press requests coming in, but for the moment I am basking in the glow of making the cover of the almighty Eagle... although the article laid out right next to the photo announced "Major drug suspect caught"-- unrelated... I assure you!

Links:

"Rockwell goes high-tech with Google Art Project," Berkshire Eagle, April 5, 2012

www.googleartproject.com/collection/norman-rockwell-museum

"The Art of Google"

Tuesday, April 3, 2012

The Art of Google

Today Google launched the second phase of The Google Art Project, the company's online art database. Norman Rockwell Museum is one of 134 new participants with the project, which features high-resolution images and, in some cases, "street views" of art galleries worldwide. 

I first learned about Google Art Project back in February 2011, at the time of its initial launch. It sounded like a great idea, especially with the technology that allowed viewers to look at galleries in the same manner as the company's street maps. Our Museum was in a perfect position, having just digitized our entire collection and shared on our own website. I sent an initial inquiry for the Museum, and that was that (I figured we would be competing with a lot of other interested venues). Initially there were only 17 different partners, including such high-profile sites such as Museum of Modern Art, The Van Gogh Museum, and The Hermitage Museum. What is great is about the site is that it offers visitors a chance to view rare collections and take a virtual tour of many spots around the world that they might otherwise have a challenging time visiting.

Today's expanded list includes such sites as The White House, which is a such a fantastic idea (great for students):

  

So, last fall Google Art Project got back in contact with Norman Rockwell Museum about getting involved. I think we really owe a great deal of thanks to Risa Schwartz, the daughter of Berkshire artist Sol Schwartz, who we had exhibited over the summer. Risa works at Google, and it was through her suggestion that Google gave us a look at being included in its new phase of the project. 

I served as a project coordinator for the endeavor, as we began looking at artwork from our permanent collections that could be included. One obstacle was the fact that we do not own the copyrights to Rockwell's work, since it was originally created for periodicals and advertisers. We did, however, own quite a few works that would fall under the public domain--earlier works, which showcase the artist's formative years. We thought that was worth moving ahead with, along with a selection of works in our collection from other American illustrators.

Norman Rockwell Museum's collections page on Google Art Project. 
Photo courtesy of Google.
The unique thing about Google Art Project is the high-quality images that are included-- you literally can view the detail on some works more closely than you would be able to in a gallery. I have to hand it to my colleague Thomas Mesquita, who took time to scan, photograph and upload many of the images included. At the same time, I worked hard to find appropriate text, links, edit and enter all of that information into the project's dashboard. A week or so before Christmas, we had completed the uploading, and Google's team worked at integrating it all into their database. 

I notice that we're in pretty good company, with such new venues as London's National Gallery, and The J. Paul Getty Museum also added today. I hope that this is just the starting point for us, and we will eventually be able to include some of Rockwell's more iconic later works, and make use of Google's Street View technology (Rockwell's original studio, which is on our grounds, would be perfect for that). But for now, it's great to see an initial idea become a reality, and I'm happy that I was able to contribute.

Related Links:



"Norman Rockwell Museum Joins Google Art Project" press release (written by yours truly)