We kept the wedding theme going by looking at our invitations. Taking another look at our design, I wasn't quite as satisfied with the type. I am glad we took some time out today to try some different options. We ultimately downloaded some new script fonts (Citadel seemed doable), and changed the color to reflect a more "summery" tone. The waterfall image will remain though-- that seems like the one "given."
It looks like this graphic design course is going to come in handy earlier than I expected! We actually spent some time looking at the subject of type this past week, and it is interesting how subtle changes can affect the overall mood of a piece. I think most people are so used to seeing text that they're not even aware (I know I wasn't), but designers will treat type as both shapes and elements. Even the spacing is a consideration-- we tried this online "kerning" game, and it's harder than it looks: type.method.ac
At least the computer makes this all a bit easier to experiment with. I remember my first year of college, when they had us hand lettering type... I don't know if that is done at all anymore. It's all still a far cry from the early days of the old mechanical letterpress machines. It's astounding to think about all that went into using that original method:
Upside Down, Left To Right: A Letterpress Film from Danny Cooke on Vimeo.
Having said that, Illustrator's digital bezier curves are going to take some getting used to. So I guess it's all a process, and takes time to perfect good taste.
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