Showing posts with label spokesman. Show all posts
Showing posts with label spokesman. Show all posts

Saturday, May 28, 2016

Keep It Bern-in'

So to recap: we have lost Bowie... and Prince... yet Trump is still around. It's been a rather depressing year so far.


Taking it outside: Bernie speaks to overflow crowd during his April 12
rally at Marist College, Poughkeepsie, NY. Photo: Jeremy Clowe
One bright spot for 2016: Bernie Sanders. It was exactly a year ago this month that the Vermont senator announced his candidacy for President of the United States. As I understand, it was at the urging of veterans (for whom he has worked so hard), so Memorial Day weekend was perfect timing to launch the campaign.

Personally, I didn't even know who Bernie was a year ago. All I knew is that I felt uneasy with the idea that the Democratic Party was "anointing" Hillary Clinton (I, for one, do care about her "damn emails"). Following some work at the UN, my wife and I spent a long weekend in Vermont last July, and that's where I really started hearing about "The Bern." At first, I thought it was just hipsters being ironic....but no, he was the real "New Deal."


Captain America! A true civil war:
canvassing during the NYS primary
It was the Democratic debates that sealed it for me. Bernie not only talked the talk, but walked the walk. Here was a "once-in-a-lifetime" candidate who seemed to share my values when it came to the ideas of social justice and equality. I wanted to know more, so the obvious place to turn was the media covering the primaries. I was surprised and disappointed to learn that the mainstream outlets offered very little, and what it did seemed rather disrespectful. New York Times... NBC News... CNN... all so-called "reputable sources" that I trusted... as someone who has worked for and with media over the years, it was truly a depressing realization to learn about the corporate influence. If you believe, like I do, that media has an opportunity if not a responsibility to educate, it is indeed troubling.

Over the years, you always heard conservatives complain about the so-called "liberal media," when, in reality, the more progressive voices seem to be distorted as well (if presented at all). This, quite frankly, is what lead me to start donating and volunteering for the Sanders campaign. I surprised myself at how good I was, and actually enjoyed it... phone banking, canvassing, and even serving as a poll watcher for the New York State election (Bernie won our District handily, as he did most across the state...even if he did not win New York). 

Feelin' The Bern! Getting fired up during his August 10 rally 
in Albany, NY. Photo: Jeremy Clowe
Going up against the establishment and corporate influences, Bernie has not let up. I greatly admire him for his integrity and tenacity. This past week's proposal of a debate with Donald Trump seemed too good to be true - Bernie would, no doubt, mop the floor with that dangerous pretender. Indeed, who knows what Trump's intentions for running are, but I have had my suspicions along the way... and they are quite disturbing.

Bernie still has an uphill climb (not helped by reports of election fraud taking place in my own state and others) so I'm not sure how this thing is shaking out. I do know that this "progressive" is forever changed and grateful. Thank you, Senator Sanders for educating us about true democracy and the idea of "a future to believe in." In the words of Bowie, you're "a star man," and have my support to the end.

The real scoop! Yearning for Bernie...with the original Ben and
Jerry at College of St. Rose, Albany, NY, April 15, 2016.
Photo: Jeremy Clowe
www.berniesanders.com


Tuesday, December 29, 2015

All In a Year's Work

Finishing up my last day of work for the year at Norman Rockwell Museum, I thought I would try and collect a few thoughts. 2015 has certainly had it's share of highlights. Maybe I should start backwards... 

Since Norman Rockwell was known for his Christmas-themed illustrations, the holidays are always a big time of year for us. This month I had all kinds of press contacting me, including WIRED, a lifestyle website in Brazil, and WDEL Radio's "Saturday HotSpot"—the latter showed up on my radar a year ago, when host Frank Gregory called with interest in doing a segment on the Museum for the holidays. I guess it went well, because Gregory (a self-proclaimed Rockwell fan), had me on his show not once but twice over the past month. Here is the generous segment we did on November 7, where I talked about everything from our history, holiday events, and traveling exhibitions, to our new show on illustrator Harvey Dunn (who just happened to start his career in Wilmington, Delaware, where the station is based- lucky coincidence):



"CBS Sunday Morning" also called, looking for material on Mary Doyle Keefe, the model for Rockwell's "Rosie The River" (who passed away last April). Did we have any interview footage with Keefe? Yes, one of countless interviews I have conducted with Rockwell models over the years. I sent them a portion of a video I did with Keefe back in 2002, and you can hear a portion of it included in their "Passages" segment, which aired this past Sunday. 

Fortunately, I had the chance to create a few video productions of my own for the Museum this past year. The latest was this promo for our annual fund (not too late to donate, folks):


2015 was all about trying to master our new HD camera, and Adobe Premiere Pro. Final Cut Pro still feels more intuitive for me (maybe because I have been using it for so long), so I continue to use that editing software at home. I guess it doesn't hurt to be well-versed across platforms. 

All aboard... the simple pleasures at NRM.
Photo by Jeremy Clowe. All rights reserved.
Sometimes I keep it "low-tech" and just pull out my iPad or Android and start filming things, like I did with a recent trip down Main Street Stockbridge, immortalized in Rockwell's "Home for Christmas" painting. You can watch my "quickie" edit here

A couple things to point out about that video: how lucky I was that at the end of my drive, there was a car turning down the main road with Christmas tree attached to the roof (just like in the painting!). I also liked the way this quickie synced up with the Vince Guaraldi Trio (holiday music that gets me in the spirit every year). Others seemed to agree, as the video received over 400 likes and was shared nearly 300 times on Facebook...not bad for a quick, creative exercise to promote our holiday events.

Of course, my creativity connected me in other wonderful ways this year. I had the chance to interview New Yorker cartoonist Roz Chast for a video featured in our summer exhibition. It was fun to get a glimpse of her Ridgefield, Connecticut studio, and learn how she comes up with her ideas. I will also never forget our trip to New Haven to take part in an interview for WNPR. I keep thinking the trip, sprinkled with idiosyncratic moments (all mine!), might make it into one of her cartoons. I really enjoyed discussing comics (a longtime passion of mine) with this true professional...who was as nice and normal as can be.

Dear God, how many years?... JC @ NRM, Oct. 2015
I had the chance to share my love of the movies this year as well, as the Museum took me up on the idea to go "back in time" during our classic car show. Where else would I have the opportunity to run around dressed as Marty McFly, while sharing my love of Back To The Future? I would have never guessed, 15 years ago, that I would end up overseeing such an event, but here I was welcoming filmmakers and car owners connected with my favorite film series of all time, and having an absolute blast. Like the films, it is all in the details... and Rockwell's work seems to echo through that first movie, set in the 1950s- an enthusiastically-received and attended event, to be sure.

Interactive experience at NRM (and I'm not talking
about any of my digital material featured in this display)
I can't say it has always felt "Rockwellian" this past year, and there were times where I have felt a bit down (usually due to politics, and the shifting balance of creating and facilitating). On one such occasion this past month, I decided to head down to the Museum and try to take some photos. I ended up chatting with some visitors who were using one of our new interactives, and had the chance to entertain them with some stories about the Museum, Rockwell, and the many models and characters related to this world that I had gotten to know over the past decade. Their laughter and enthusiasm really changed my day, and reminded me of the reason we are working here... to share this artist's work with current and future generations. On my way out, I heard someone yell, "hey Marty!" and it turned out to be a couple who had attended our Back To The Future day, enjoyed my talks and screenings, and ended up being one of the last visitors to leave that day. I think I need to visit the front lines more often.

Peace on earth. I can't think of a better
holiday greeting...
Finally, as someone active and interested in peace action efforts, I must mention our exhibition at the United Nations, which was such a tremendous opportunity for all involved. I know I speak for the Museum when I say how honored we were to share Rockwell's work with the over 65,000 visitors, global leaders and representatives (including Pope Francis), who visited the show over the summer and early fall. Representing the Museum, coordinating the press conference at the UN, and attending the opening reception with my wife were real highlights; my counterpart at the UN was wonderful to work with, and Secretary-General Ban Ki-moon and Deputy Secretary-General Jan Eliasson were both extremely supportive of the exhibition. But the biggest thrill was learning that it was my online video of Rockwell's United Nations drawing that caught the attention of UN representatives in the first place, and inspired the show (which included the video). How do you top that for outreach?

Quite a year. My 15th anniversary, in fact. It's been a long and challenging road, but I know I have made a difference at this museum, and even managed to share my own artistic talents along the way.

Related Link:


Monday, June 8, 2015

It's a Living

The Berkshires' summer season has begun. In my opinion, there's no better time to visit the area. 

First impressions: entering the Berkshires from New York's Hudson Valley.
Photo by Jeremy Clowe. All rights reserved.
A couple weeks ago I appeared as a guest on the WNPR morning show, Where We Live, extolling the virtues of a trip to Western Massachusetts and Norman Rockwell Museum. Not my smoothest interview, but I was happy to take part. I was joined by representatives from Jacob's Pillow Dance Festival (coincidentally, how I first learned of the area), Shakespeare & Company, and The Mahaiwe Performing Arts Center, where the radio interview was broadcast. 

WNPR is based in Hartford yet the show's host, John Dankosky, lives in an area of Connecticut not far from the Berkshires and so decided to broadcast his show live in Great Barrington, on the occasion of the Berkshire International Film FestivalIt's interesting for me to recall that during my own years in Hartford, where I attended college, I had no concept of the Berkshires and frequently drove right through its outskirts (none the wiser) during trips to visit my family in the Hudson Valley. 

Go pro: courtesy "Out" magazine.
As I mentioned to Dankosky before we went on the air, my first impression of the Berkshires was that of a "summer camp" for artists, after being tipped off to area by a dancer who was studying at Jacob's Pillow. While working part-time in New York City and living in the Hudson Valley over ten years ago, I started making frequent trips to the Berkshires, enjoying its beautiful countryside, finding part-time work at the Pillow, performing with acting troupes in the area and, of course, working full-time at Norman Rockwell Museum. The rest, as they say, is history.

In the May issue of Out magazine, I offered further insight into my time spent in the area, and was featured as a "pro tip" on the joys of hiking the Berkshires' scenic hills. This is certainly a unique aspect of the area. 

As I mentioned in the WNPR interview, right down the street from the Rockwell Museum  you can take a hike up the mountain where Herman Melville was inspired to write Moby Dick. We talked about the other significant artists and activists who lived in the area, including Norman Rockwell, and theorized about what it was about the area that continues to draw such people. Following the interview, I drove a few miles away to finally visit the newly opened W.E.B. Du Bois homesite, dedicated to the influential American humanist and civil rights activist, who grew up in Great Barrington. Like much of the Berkshires, it was a pleasantly meditative stroll through both nature and history.

History happened here:
entrance to W.E.B. Du Bois homesite.
Photo by Jeremy Clowe. All rights reserved.
They say the grass is always greener... for me, living in the Berkshires for a few years started to feel a little claustrophobic (especially during the winter), so I am happy to now be commuting from the nearby Capital Region. It's the best of both worlds. Due to a technical glitch, you'll hear my mic cut out at the end of the radio segment, but what I was trying to say is that the Berkshires is an easy drive from such areas as Albany, Boston, and New York City, and visitors are in for a real treat this summer (we just opened a show on New Yorker artist Roz Chast, and I'll write more about that shortly). Personally, I'm looking forward to the exhibition of Vincent Van Gogh's landscapes that will be on display at the Clark Art Institute... Van Gogh is one of my favorite artists, and what could be more fitting than a show about the great outdoors here in the Berkshires?

Related Links:

"Live from the Mahaiwe: Arts in the Berkshires," Where We Live, WNPR, May 29, 2015

"Spotlight on the Berkshires," Out Magazine, May 25, 2015

Berkshires.org

Saturday, April 25, 2015

Did Her Part

Mary Keefe ("Rosie") signing autographs
at Norman Rockwell Museum, July 2013.
Photo by Jeremy Clowe for Norman Rockwell
Museum. All rights reserved.
I was sad to learn the news that Mary Doyle Keefe, the model for Norman Rockwell's iconic Rosie The Riveter painting, died this past week at the age of 92. I had the pleasure of meeting and interviewing Mary on several occasions during my time at Norman Rockwell Museum, and she was always quite pleasant and modest about her experience posing for the artist. 

Like many of Rockwell's models, Mary was also one of his neighbors during the years the artist lived in Arlington, Vermont. She was just 19 and the town telephone operator, when Rockwell called and asked her if she could pose for his latest painting. "You knew he used a lot of people in Arlington," she recalled during a 2002 video interview I conducted with her for the Museum. "You just knew that that's what he did. So I said 'sure' and went down, and sat there for maybe two hours or so. Gene Pelham, his photographer, took all the pictures." 

Several weeks later she received a call from Rockwell, apologizing for changing her petite frame into the hefty, muscular figure (inspired by Michelangelo's painting of the Prophet Isaiah on the ceiling of the Sistene Chapel). She seemed to take it in stride, despite the occasional ribbing. The illustration appeared on the May 29, 1943 cover of The Saturday Evening Post, becoming a beloved symbol for women who joined the workforce during World War II. 

It is amazing to see how Norman Rockwell's images continue to resonate to this day. Shortly after hearing the news of Mary's passing, I started to receive numerous press calls at the Museum looking for comment and more information. Today's New York Times features an article, which includes excerpts from my 2002 interview; and I have also shared audio from that interview with such radio outlets as WAMC, our local NPR station, as well as Hartford's WTIC (coincidentally, where I once interned during college). 

A blog post I created on our website has been cited by numerous sources, and my Facebook post about the news has set a record for us (currently reaching over 2 million 200 thousand people, with over 9700 likes and 15,470 shares). Our Facebook fans have been posting comments of appreciation and even archival photos of family members who served as real-life "Rosies" or modern-day tributes. 


With "Rosie," August 2012 at Norman Rockwell Museum.
Photo ©Jeremy Clowe. All rights reserved.
From my years of conducting videotaped oral histories with Rockwell's models, I can offer a certain level of insight about the artist and his collaborators, and that is a great feeling. It is also satisfying to be able to share the story of everyday people, who have found themselves in extraordinary situations. 

As I told a reporter from the Nashua Telegraph this week, "I think several people from the Arlington area were unsuspecting of the legacy they would suddenly be carrying with them. They became part of Norman Rockwell’s world and became more aware of this lasting impact as generations went on." As a sweet side note, Mary's granddaughter Hillary went on to intern with us at Norman Rockwell Museum.

The last time I saw Mary was in 2013, when she attended one of the Museum's model reunions (her arrival always seemed treated like "royalty" by our visitors). She looked great and was gracious as always, signing autographs and posing for photos. A rather reserved woman, I think she just accepted this larger than life "celebrity" that she became associated with, and was happy to share her memories with an appreciative public. "It was a privilege to be able to sit for Norman Rockwell and be able to do all these things, because he was quite an artist," she told me. "I got quite a bit out of it."


Related Links:

"Mary Keefe, Model for Rockwell’s ‘Rosie the Riveter,’ Dies at 92," The New York Times, April 24, 2015

"One-time Nashua resident who posed as 'Rosie the Riveter' dies," Nashua Telegraph (subscription only), April 24, 2015

"Rockwell Museum Remembers Mary Doyle Keefe, a.k.a. 'Rosie the Riveter" (video interview), Time Warner Cable News, Albany, NY, April 23, 2015

"Rockwell Museum Remembers Rosie The Riveter Model" (includes audio clips/interview), WAMC Northeast Public Radio, April 23, 2015

My Facebook Post for Norman Rockwell Museum (includes photo and fan tributes), April 22, 2015

"Remembering Rosie The Riveter," my blog post for Norman Rockwell Museum website, April 22, 2015

Tuesday, February 3, 2015

Happy Birthday, Mr. Rockwell!

Norman Rockwell (1894-1978), "Portrait of Norman Rockwell
Painting 'The Soda Jerk,'" 1953. Norman Rockwell Museum Digital
Collections. ©Norman Rockwell Family Agency. All rights reserved.
It's Norman Rockwell's birthday—America and my Dad's favorite illustrator would have been 121 years old! Join us, starting at 1:30 p.m. today, at Norman Rockwell Museum for cake and a look at highlights from each decade of the artist's career.

If you can't make it to Stockbridge, enjoy this article I was asked to write for biography.com (cool website), sharing interesting facts about some of the artist's most iconic works. 

As if that wasn't enough, last month I spoke at length about Rockwell's career and the Museum's 2015 season on WGBY's Connecting Point. My friends at the Springfield, Massachusetts PBS affiliate interviewed me on a bone-chilling winter afternoon at nearby Naumkeag (the beautiful 19th century estate, formerly owned by lawyer Joseph Choate). Here's the segment:



The Museum and I certainly appreciate all the great exposure— so here's to you, Norman!

Related Links:


"Natural-Born Talent," Jeremy Clowe, Norman Rockwell Museum website

"On the Road in South County: Norman Rockwell Museum," January 21, 2015, Connecting Point, WGBY-TV

Wednesday, May 21, 2014

Pitch Perfect


Left to right: Sherm Safford, Norman Rockwell's
original "Rookie," ready for his close-up with
CBS correspondent Lee Cowan, during visit
to Norman Rockwell Museum, May 15, 2014.
Photo by Jeremy Clowe for Norman Rockwell
Museum. All rights reserved.
Last week producers from CBS News visited Norman Rockwell Museum to film a segment I coordinated and originally pitched (no pun intended) regarding Norman Rockwell's 1957 painting, The Rookie (Red Sox Locker Room). You can read more about the origins of the shoot in this extensive Berkshire Eagle article, which I was interviewed for.

This Thursday, May 22, watch CBS Evening News to view the segment, which will include interviews with the painting's original model, Sherm Safford, and tours of the Museum's galleries, archives, and Rockwell's Stockbridge studio, located on our grounds. 

I will write more about the show, the Christie's auction of the painting (to be held on the same day), and my continued efforts as a spokesperson for the Museum. As they say, keep your eye on the ball... and watch this space!

Related Links:

CBS Evening News website

"Rockwell's 'The Rookie' to be featured on CBS News," Berkshire Eagle, May 19, 2014

Thursday, September 12, 2013

Pictures For the American People

Photo of family taking part in this year's U.S. Naturalization
Ceremony, held at Norman Rockwell Museum. Photo by Jeremy Clowe
for Norman Rockwell Museum. All rights reserved.
So we continue into our next busy season at Norman Rockwell Museum. I have to say, the Fall is really a glorious time to visit the Berkshires— the colorful foliage is an artistic display in itself.

This past weekend I helped out with another U.S. citizenship naturalization ceremony at the Museum. This was our second time hosting (in partnership with the Berkshire Immigrant Center), and I'm really proud that we have gotten involved with such a significant event. It's hard to beat Norman Rockwell's artwork (in this case, The Four Freedoms) as an appropriate backdrop to welcome new American citizens; it's also inspiring to meet these individuals who have traveled so far (Pakistan, Ghana, Colombia, etc.) and worked so hard to become part of our country. With all the recent uncertainty about the U.S. economy and foreign relations (i.e. Syria), it is a reminder of how much the world still admires our country. And what joy on these new citizens' faces... I filmed and took photos of the event— you can view some of the latter on the Museum's Facebook page.

Visitors interact with the exhibition, "Norman Rockwell: Happily
Ever After." Photo by Jeremy Clowe for Norman Rockwell
Museum. All rights reserved.
This morning I'm helping to run our first live Google Art Talk. The online chat, which begins at 11 a.m. ET, will focus on Norman Rockwell's artistic influences— two of our curators will lead the discussion and I will be running their visuals for them. It looks really interesting, and I urge you to sit in or catch the recorded lecture, which will be archived on YouTube. I have spent the past couple months coordinating our involvement in this event; I learned about these new online art talks being held in Google Plus' Hangouts, and had approached the company about taking part. It's a live event, so hopefully it will go off without a hitch... similar to our involvement in the Google Art Project— read more about that initiative, which I also helped coordinate, here.

And speaking of technology, we had another nice article about our current initiatives, including today's Art Talk and our recent foray into QR code-enhanced exhibitions; I am quoted in this Berkshire Eagle article written by my friend/journalist Jenn Smith— I appreciated the mention of my video interviews, which are included in the exhibit.

Photo by Ben Garver for "The Berkshire Eagle."
All rights reserved.
Looking ahead, I'm getting ready to tackle my next exhibition video (Wendell Minor's America) and expand on some of our video production capabilities. In the meantime, I continue to play the part of spokesman— this week I conducted a tour and some interviews with travel writers visiting from Austria, and I have a short, live interview about the Museum scheduled for WSBS Radio this Friday, September 13, at 8:15 a.m. 

As if that wasn't enough, here is a link to a recent interview I gave to O Globo, a popular newspaper in Brazil. The article looks at the increasing popularity of Norman Rockwell, and the Museum's efforts to continue to spread the word about his art with an international audience. It's fun to see my words translated into Portuguese... heck, I'd be happy to travel to South America to take this global outreach one step further!...




Related Links:

Google Art Talk

2013 U.S.Citizenship Naturalization Ceremony (photos by JC), Norman Rockwell Museum Facebook page

"Culture a Click Away," Berkshire Eagle, September 6, 2013

"Retrato Do Século XX," Globo a Mais, August 16, 2013


"Pintura de ilustrador de revistas é a mais cara do acervo da Amazon Art," O Globo, August 18, 2013

Saturday, August 17, 2013

Cracking The Code

I had a text from my Uncle the other night, saying that he heard me on the radio. Yeah, it's a new age... 

Time to replace magnifying glass with smartphone?...
“Art Critic,” Norman Rockwell, 1955.
Norman Rockwell Museum Collections.
©SEPS: Curtis Publishing, Indianapolis, IN
The occasion was an interview I gave to WAMC, the Albany, NY, NPR affiliate, about local museums' use of technology. It was a perfect time to again highlight our new exhibition, Norman Rockwell: Happily Ever After, which offers visitors the chance to use their phones/tablets to access enhanced content related to the artwork (including my videotaped interviews). This is made possible through QR code links, which really seem to be everywhere nowadays... Sarah was just commenting how she found them on grapes recently in the grocery store. Seriously... grapes?

Anyway, it's an interesting radio segment you also get to hear a couple of the model interviews I have conducted at the Museum over the years. 

Like the recent Wall Street Journal article, I was interested to hear what other organizations are initiating in terms of technology. The delightfully rural Hancock Shaker Village has even begun installing computer kiosks and renting iPads. I think it must be more of a challenge to preserve the authenticity of a historic site, while bringing in modern tools to assist and engage visitors. Ultimately, it requires good design− it seems pretty obvious when organizations are falling over themselves to bring out the latest technological fad, without any real benefit to the original content.

So what have I been up to this Saturday morning (besides this quick blog post)? Kicking back and enjoying a book. Happy to report that no QR code is required.

Related Links:

"Local Museums Embracing Technology," WAMC Radio, August 15, 2013

"Historical Sites Welcome Kids Who Love to Text," Wall Street Journal, July 31, 2013

Thursday, August 1, 2013

Spokesmanship


"Hey girl..." doing my best Ryan Gosling
to impress you. Photo by Ben Garver
for The Berkshire Eagle. All rights reserved.
Ok, it must be pretty evident by now that in addition to writing/video producing, one of my main duties at Norman Rockwell Museum is spokespersoning (Not a word? Should be). Honestly, it's something like performing... and storytelling. I am proud of what I have accomplished in this regard over the past decade, and today comes my second appearance in The Wall Street Journal. 

Norman Rockwell Museum is included in a feature about historic sites/museums utilizing new media/technology to attract new audiences; I was interviewed at length last week about our digital initiatives, and they use a quote in today's paper about our new exhibition, Norman Rockwell: Happily Ever AfterThis new experiment involves visitors using their smartphones or tablets to access content available through QR codes placed near the paintings. In addition to Rockwell's reference photos, the model videos mentioned in the article were created by me—some are quite old... recorded not long after I started at the Museum in 2001. As you may know, I have been involved with other technological initiatives during my time at the Museum, including exhibition videos, an interactive timeline and Google Art Project, but this is the first effort involving gallery material accessible by portable devices. Anyway, it's a cool idea... we'll see how it pans out. It's also interesting to read about the technological efforts and concerns from other venues listed in the article. On top of that, they use one of my photos on the newspaper's front page (reproduced here)!

Photo by Jeremy Clowe for Norman Rockwell Museum. All rights reserved.
Of course I wish I had more time to create videos, but there is something rewarding about acting as a spokesperson... makes all those public speaking classes pay off. It's also interesting to see how often I am misquoted or my name is misspelled/mispronounced (eh, that's "Clowe," rhymes with "the show")... you have to let it roll off your back, I guess... ultimately, it is all about promoting the venue and work. 

On that note, here is another interview I gave to The Berkshire Eagle a few weeks back for an article about low-cost opportunities at the area's cultural organizations. Perhaps the best quote in the article comes from my wife's cousin Vicki, who has been a long-time member of the Museum (I actually met her years before meeting Sarah!): "I've been to other museums in different states and countries, and a lot of them are stuffy. The Norman Rockwell Museum isn't like that -- everyone is friendly. They take a personal interest in you." 

Well-said.

Grab a chair! Representing the Museum and Norman Rockwell in the
artist's studio. Photo by Ben Garver for 
The Berkshire Eagle.
All rights reserved.

Related Links:

"Historic Sites Welcome Kids Who Love to Text," The Wall Street Journal, August 1, 2013





Friday, June 21, 2013

Berkshire Soul

RBIT at the Spectrum.
Courtesy Spectrum Playhouse. All rights reserved.
Happy summer solstice! It's a beautiful, sunny day here in the Berkshires, and I thought I would take some time out to share another update.

There's a lot happening here in the Berkshires this weekend— most notably, Wilco's Solid Sound Festival at MASS MoCA. I had the good fortune of attending and covering the event a couple years ago, and it was a blast—great fusion of music, art, good vibes... I won't be attending this year, but I'll try and post some more of my experiences working on the 2011 festival in the coming weeks.

I will, however, be performing again tonight with the Royal Berkshire Improv Troupe. It is our last gig of the season and honestly, I think we could use the break... get refocused and audition for some new members (contact me or the group if interested). If you're in the area, tonight's show is 7:30 p.m. at the Spectrum Playhouse in Lee, Massachusetts (can't thank these guys enough for their hospitality over the last couple years). 

Also worth checking out in the Berkshires, of course, is Norman Rockwell Museum. Our exhibition, Snow White and the Seven Dwarfs: The Creation of a Classic is a real treat, as is seeing our permanent collection of Norman Rockwell artwork. Below is an interview I gave a couple weeks ago to WGGB, the ABC station in Springfield, Massachusetts, to help promote the Museum. Turned out pretty good, even though the audio sync appears off and you see me swatting some flies at the beginning of the piece (the fact that I was being interviewed by a former Miss Connecticut made it slightly more bearable). Fast forward to about 12:27 to view the segment:



Speaking of interviews, if you're in Boston this Saturday, you can hear me on WBZ Radio's  New England Weekend, talking up the Snow White exhibit. The segment should air around 7 a.m.

Well, that's about it... just got back from lunch at Baba Louie's Pizza in Great Barrington (another Berkshire favorite), so before I fall into a food coma I better get back to work. Happy Summer, everyone.

Monday, June 3, 2013

Heigh Ho, Heigh Ho!

"Snow White Dancing with Dopey and Sneezy. Doc, Happy, Sleepy
Playing Music." Disney Studio Artist Reproduction, cel setup; ink and acrylic
on cellulose acetate. Courtesy Walt Disney Animation Research Library. ©Disney.
Back from a relaxing and adventurous weekend in the Adirondacks... good to get out in the fresh air and countryside. Now I'm busy preparing for the opening of the exhibition, Snow White and the Seven Dwarfs: The Creation of a Classic this weekend at Norman Rockwell Museum. We have already received a couple good articles in The Boston Globe and Berkshire Eagle, and a Friday press preview is starting to fill up nicely.

Tomorrow morning (Tuesday) I will be talking about the exhibition on the radio show,
Well Talk with Avi Dresner. This Berkshire radio program focuses on health-related subjects, so we will be looking at the film's connection with dancer Marge Champion, who served as a live reference model for Walt Disney's first feature-length animated film. The host plans on airing portions of my videotaped interview with Champion, which was conducted in early April− this seems perfect, seeing as she lives part-time in the Berkshires. You can listen to the interview at 9 a.m. ET on WSBS Radio in the Berkshires, or online at www.wsbs.com

Also in the works: a couple interviews about the Museum that I conducted for the Russian Television Network of America, and WRGB-TV, based in my new home of Schenectady, New York. Apparently WRGB is the oldest TV station in the country, but more interesting for me is the fact that my Mom used to sing on the station when she was a teenager! More info soon... heigh ho, heigh ho...

Related Links:

www.welltalkradio.com

"New family fun programming at the Rockwell begins with Family Day opening of Snow White," Berkshire Family Focus, May 30, 2013